Many years before the more recent 'Bates Motel' TV series, this television movie was made to cash in on the "Psycho" brand name and try to kick start a series. It's the kind of sequel that both ignores previous entries and fudges with the original mythology a bit. Bud Cort stars as Alex West, who'd been incarcerated at the same mental asylum as Norman. When Norman dies, he leaves the infamous motel & house to Alex. Alex, despite having been in this institution for most of his life, vows to make a go of things, helped by people like Henry Watson (Moses Gunn) and a tough talking young woman named Willie (Lori Petty). While the motel is given a flamboyant makeover, strange & supernatural occurrences take place.
For a while, this is a fairly appealing story (concocted by director / executive producer Richard Rothstein), anchored by Corts' engaging performance, although it wouldn't be for "Psycho" and Hitchcock purists. It threatens to derail upon Petty's introduction into the picture, although after a while it's clear what her purpose is, and the character becomes more tolerable. The part where it REALLY begins to derail is in the final third, where Rothstein and company waste time with a subplot about a depressed "older" woman named Barbara Peters (Kerrie Keane) and her interactions with various youngsters, including one played by a young Jason Bateman. It truly goes to pieces with the hysterical, 'Scooby Doo' type ending. (Followed by Cort breaking the fourth wall just before the end credits roll.)
When you see the makeover that the Bates Motel gets, you'll likely cringe, and realize that progress (a big theme of this tale) isn't always a good thing.
The acting is sincere enough to keep the thing watchable, along with solid performances by such familiar faces as Gunn, Gregg Henry, Robert Picardo, and Lee de Broux. Kurt Paul, who plays Norman here, was a stuntman on the second and third "Psycho" features.
Certainly worth a look for curiosity's sake, but it in no way compares to other entries in this series.
Five out of 10.
For a while, this is a fairly appealing story (concocted by director / executive producer Richard Rothstein), anchored by Corts' engaging performance, although it wouldn't be for "Psycho" and Hitchcock purists. It threatens to derail upon Petty's introduction into the picture, although after a while it's clear what her purpose is, and the character becomes more tolerable. The part where it REALLY begins to derail is in the final third, where Rothstein and company waste time with a subplot about a depressed "older" woman named Barbara Peters (Kerrie Keane) and her interactions with various youngsters, including one played by a young Jason Bateman. It truly goes to pieces with the hysterical, 'Scooby Doo' type ending. (Followed by Cort breaking the fourth wall just before the end credits roll.)
When you see the makeover that the Bates Motel gets, you'll likely cringe, and realize that progress (a big theme of this tale) isn't always a good thing.
The acting is sincere enough to keep the thing watchable, along with solid performances by such familiar faces as Gunn, Gregg Henry, Robert Picardo, and Lee de Broux. Kurt Paul, who plays Norman here, was a stuntman on the second and third "Psycho" features.
Certainly worth a look for curiosity's sake, but it in no way compares to other entries in this series.
Five out of 10.