8/10
Great proto-Euro Crime film
21 October 2017
This film starts with Palermo's Police Captain, Martin Balsam, arranging the release of a known criminal from an insane asylum and calmly watches on as the man purchases a machine gun, dresses up as a cop, and heads off to the office of a local crime boss/building merchant, resulting in a bloodbath with four dead bodies. The mafia boss however seemed to have got wind of this and wasn't around for the gunfight.

Franco Nero then turns up as a new district attorney who is out to play by the rules and get to the bottom of what happened - Who alerted the mafia boss that the guy was out of the loony bin? Who arranged for the guy to be released in the first place? Franco the D.A doesn't trust Balsam the cop, and various interviews with the mafia boss and others suggests that Franco is on the mafia payroll or Balsam was paid to release the prisoner to kill the mafia boss by rival mafia gangs.

The two form a very uneasy alliance where Balsam suggest that most of the municipal staff of Palermo are on the mafia payroll and explains his reason for using unorthodox methods is because the mafia boss and himself grew up in a village years ago and the mafia boss shot a guy protesting about the terrible wages the mafia were paying quarry workers (played by Giancarlo Prete in a very good cameo). Nero retorts by saying he knows Balsam withdrew two million lira from an account at the same time, but will he believe that he used that to find Prete's mafia murdered body? Although this film is long and low on action, it's easy to get drawn in by the acting of the two leads. It's rarer still to see Franco Nero get acted off the screen, but that's what happens here. You might know Martin Balsam as the cop from Psycho or Alan Arkin's superior officer in Catch 22, but here we get the full spectrum of acting. He's hard skinned and efficient as a cop, but prone to showing mercy to folk who have acted stupidly, and is kind to his colleagues, even those on the mafia payroll. Wherever he goes in this film he's pushed to the absolute limit, so the bitter sweet smile on his face as a full room of mafia staff are laughing at him is priceless. And he one-ups that scene later on. Beautiful.

Only negatives are Franco Nero doesn't dub his own voice (even though he speaks fluent English) and Popflix present this in full screen, but I'll say what I always say - best to see the film in any form rather than not at all!
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