8/10
One of Wayne's before top=of=the-pile best!
24 November 2017
Warning: Spoilers
John Wayne (John Blair), Lane Chandler (Larry Adams), Phyllis Fraser (Barbara Forsythe), Douglas Cosgrove (Cal Drake), Sam Flint (Dr Forsythe), Lew Kelly (Rocky), Bob Kortman (Cherokee Joe), Jon Hall (Jim, a Pony Express rider), Yakima Canutt (Smokey), W. Merrill McCormick (Pete), Ed Cassidy (Dodge, the Pony Express manager), Chris Franke (Grahame, boss of the telegraph crew), Bud McClure, Jack Ingram (guards), Joe Yrigoyen (Pike), Jack Rockwell (marshal), Arthur Millett (postmaster), Tracy Layne (Reed), Art Mix (Ed, a Pony Express rider), Horace B. Carpenter (man with sick child), Herman Hack, Henry Hall, Murdock MacQuarrie, Clyde McClary, George Morrell, Francis Walker (townsmen), Bud Pope (henchman), Lloyd Ingraham (helpful old man), Cliff Lyons (Pony Express rider).

Director: MACK V. WRIGHT. Original story and screenplay: Joseph Poland. Film editor: Robert Jahns. Supervising film editor: Murray Seldeen. Photography: William Nobles. Music supervisor: Harry Grey. Title music composed by Louis De Francesco. Stock background music by Heinz Roemheld, Arthur Kay, Paul Van Loan. Production supervisor: Paul Malvern. Sound recording: Terry Kellum. RCA Sound System. Producer: Nat Levine.

Copyright 6 July 1936 by Republic Pictures Corporation. U.S. release: 15 June 1936. No recorded New York opening. U.K. release: June 1937. 6 reels. 58 minutes.

COMMENT: One of the best of Wayne's pre-Stagecoach westerns, thanks to a superior screenplay by Joseph Poland, stylish direction by Mack V. Wright, an able group of support players, deft camera-work — and plenty of action.

Wayne plays with a casually charming ease and is smoothly partnered by Lane Chandler, while Phyllis Fraser makes a convincing heroine and Lew Kelly a passable comedian.

The villains are headed by a nicely confident Douglas Cosgrove, with Bob Kortman trailing along as a splendidly sneering henchman and Yakima Canutt in there pitching (and obviously doubling for Kortman in a lively punch-up with Wayne in which our hero does all his own fighting).

The climactic stagecoach race is every bit as thrilling as the script promises with heaps of hard riding (excitingly filmed in running inserts), plus some really spectacular stunt-work.
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