Franco Nero is as cool as he's ever been, in the role of the title character. Sergei Kowalski is a Polish scoundrel who tends to only look out for number one - and make a couple of dollars in the process. He makes the acquaintance of Paco Roman (Tony Musante), a peasant tired of mistreatment who assumed the role of revolutionary. They are subsequently united in many episodic adventures as they scheme to rob a bank of silver to fund Pacos' movement. Working against them are characters such as Alfonso Garcia (Eduardo Fajardo), and Curly (Jack Palance), a rival who turns bitter and vengeful.
"The Mercenary" is considered by some to be one of the finest Spaghetti Westerns ever made, and this viewer would have to agree. It manages the neat trick of combining action, comedy, and drama, without ever getting too maudlin, silly, or gory. Both Musante and the fiery, incredibly sexy Giovanna Ralli supply the necessary humanity in a story often hinging on the differences between the Pollack and the freedom fighter. Paco has found a cause bigger than his own personal comfort, but Kowalski remains mostly concerned with financial gain. Special guest star Palance is very funny; sporting an appropriately curly, ridiculous looking wig, he's good for a number of chuckles. He also bares his backside for the camera, in a comic dose of nudity. Nero is priceless as a man who always uses what's available to strikes matches for his cigarettes, and who continues "billing" Musante for services during a gun battle.
The fact that this story uses the Mexican revolution as a backdrop allows for some political / social commentary, as it did for various other Italian oaters that did the same thing. It also boasts typically wonderful Ennio Morricone music and splendid widescreen photography by Alejandro Ulloa.
A fine film with subtly poignant moments and a resolution that will leave a smile on ones' face.
Eight out of 10.
"The Mercenary" is considered by some to be one of the finest Spaghetti Westerns ever made, and this viewer would have to agree. It manages the neat trick of combining action, comedy, and drama, without ever getting too maudlin, silly, or gory. Both Musante and the fiery, incredibly sexy Giovanna Ralli supply the necessary humanity in a story often hinging on the differences between the Pollack and the freedom fighter. Paco has found a cause bigger than his own personal comfort, but Kowalski remains mostly concerned with financial gain. Special guest star Palance is very funny; sporting an appropriately curly, ridiculous looking wig, he's good for a number of chuckles. He also bares his backside for the camera, in a comic dose of nudity. Nero is priceless as a man who always uses what's available to strikes matches for his cigarettes, and who continues "billing" Musante for services during a gun battle.
The fact that this story uses the Mexican revolution as a backdrop allows for some political / social commentary, as it did for various other Italian oaters that did the same thing. It also boasts typically wonderful Ennio Morricone music and splendid widescreen photography by Alejandro Ulloa.
A fine film with subtly poignant moments and a resolution that will leave a smile on ones' face.
Eight out of 10.