Lawless Range (1935)
6/10
Wayne as usual makes an engaging hero!
12 April 2018
Warning: Spoilers
SYNOPSIS: A ruthless gang of outlaws seems determined to drive every rancher from the valley. Why? NOTES: Wayne's final Lone Star western - though the movie was not released as such. Monogram had become part of the new Republic Pictures organization. COMMENT: Here is Wayne signing off his Lone Star career with a snatch from the very same song with which he started off in Riders of Destiny. But in addition to the opening lines from "Blood a' Runnin' ", Wayne (obviously dubbed by extra-deep-voiced Smith Ballew) sings "On the Banks of the Sunny San Juan" right through. It's the longest musical interlude in any Wayne film. And as if that were not enough in the melody line, we are also treated to a chorus of cowpunchers standing around "That Old Dusty Road". Not that Lawless Range is short on action. That we have in plenty too. Lots of hard riding (in running inserts yet) and guns blazing ("Popping" would actually be a better word) plus a couple of impressive stunts including a high dive from a cliff (reprised from 1934's The Trail Beyond) and a jump from saddle to saddle. Unfortunately, a fair amount of the action footage is obviously stock - which makes for some confusing continuity. Still, unsophisticated fans will probably find the action sufficient and the pacing brisk enough to satisfy their needs - though few will fail to tumble to the identity of the big boss quite early on in the piece. Wayne as usual makes an engaging hero, Miss Manners/Mannors/Bromley is a plucky heroine (even when offering such lines as "I think his disappearance is part of some scheme") and it's good to see Wally Howe doing a Gabby Hayes impersonation as the kidnapped rancher. (Because they have all obviously copied from each other, just about every reference book tells us this role was played by Earl Dwire. Which is dead wrong. Mr Dwire plays the town storekeeper). A few picturesque location shots augment a very middling budget. Despite one or two of his irritating whip pans, director Bradbury generally if humbly hits home. His tracking shots with the lynch mob are particularly effective.
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