A Lone Star Western. Copyright 15 January 1935 by Monogram Pictures Corp. No New York opening. U.S. release: 5 December 1934. U.K. release through Pathé : 12 August 1935. 6 reels. 52 minutes.
SYNOPSIS: Wayne is the guardian of a little Indian girl, Shirley Jane Rickert, who is entitled to a royalty payment of $50,000 for an oil lease. Before she can get the money, however, Wayne needs to get a paper signed by her natural father, Earl Dwire. A gang of kidnappers led by Yakima Canutt also want the money. Matters are further complicated when a couple of bank robbers, Rockwell and Wilsey, cross paths.
COMMENT: This would be a dull Lone Star were it not for the surprise appearance of George Hayes, playing pretty close to his "Gabby" character. Although prominently featured in re-issue posters and advertising, Hayes isn't even mentioned in the credits. Maybe his part was added as an afterthought. However it says much for the quality for the rest of the movie, that Hayes is the highlight of interest. True the pace is fairly rapid and the plot has more twists than a snake on an ants' nest, but the action spots - and admittedly there are many - are poorly and unexcitingly staged. Mr. Fraser is not one of the better directors in this field. Not only are the action scenes lacking in vigor and punch, but the level of acting is far more amateurish than usual. Even Canutt has little color, whilst Wayne himself lacks his usual assurance and sparkle.
The heroine is somewhat dowdily costumed, though she has an attractive face, and as for Miss Rickert/Ricketts, it comes as no surprise to learn that she was a former member of the Our Gang series. She's one of those over-confident, over-forward but not particularly charismatic Hollywood kids which the studios seem to turn out by the cart-load. Still Buffalo Bill, Jr. was mean and shifty enough as the villain, and Earl Dwire had one or two good moments as the never-do-well turned playful dad. (No-one could complain that Dwire lacked variety in his various Lone Star roles). And maybe I imagined it, but "Sheriff" Jack Rockwell seemed uncomfortable in his unaccustomed role as a heavy.
As for the Arizona skies, we're still waiting. The locations are singularly uninteresting, even by Poverty Row's Hollywood Hills standards.
Yes, Yakima Canutt does do a couple of stunts, including two leaps from a cliff, one on horseback, doubling himself; and one solo, doubling Wayne. Thanks to Fraser's poor direction, both fail to impress.
SYNOPSIS: Wayne is the guardian of a little Indian girl, Shirley Jane Rickert, who is entitled to a royalty payment of $50,000 for an oil lease. Before she can get the money, however, Wayne needs to get a paper signed by her natural father, Earl Dwire. A gang of kidnappers led by Yakima Canutt also want the money. Matters are further complicated when a couple of bank robbers, Rockwell and Wilsey, cross paths.
COMMENT: This would be a dull Lone Star were it not for the surprise appearance of George Hayes, playing pretty close to his "Gabby" character. Although prominently featured in re-issue posters and advertising, Hayes isn't even mentioned in the credits. Maybe his part was added as an afterthought. However it says much for the quality for the rest of the movie, that Hayes is the highlight of interest. True the pace is fairly rapid and the plot has more twists than a snake on an ants' nest, but the action spots - and admittedly there are many - are poorly and unexcitingly staged. Mr. Fraser is not one of the better directors in this field. Not only are the action scenes lacking in vigor and punch, but the level of acting is far more amateurish than usual. Even Canutt has little color, whilst Wayne himself lacks his usual assurance and sparkle.
The heroine is somewhat dowdily costumed, though she has an attractive face, and as for Miss Rickert/Ricketts, it comes as no surprise to learn that she was a former member of the Our Gang series. She's one of those over-confident, over-forward but not particularly charismatic Hollywood kids which the studios seem to turn out by the cart-load. Still Buffalo Bill, Jr. was mean and shifty enough as the villain, and Earl Dwire had one or two good moments as the never-do-well turned playful dad. (No-one could complain that Dwire lacked variety in his various Lone Star roles). And maybe I imagined it, but "Sheriff" Jack Rockwell seemed uncomfortable in his unaccustomed role as a heavy.
As for the Arizona skies, we're still waiting. The locations are singularly uninteresting, even by Poverty Row's Hollywood Hills standards.
Yes, Yakima Canutt does do a couple of stunts, including two leaps from a cliff, one on horseback, doubling himself; and one solo, doubling Wayne. Thanks to Fraser's poor direction, both fail to impress.