Francis Urquhart is a senior member of the British Government. He expects a promotion when the new Prime Minister, Henry Collingridge, takes office and is bitterly disappointed when this does not take place. He sets in motion a plan to usurp Collingridge and become Prime Minister. Part of his plan involves manipulating a junior political reporter, Mattie Storin, in order to gain more favourable press coverage than Collingridge. This works well initially but then Storin starts digging into recent political events.
Superb political drama. Very intriguing and highly plausible with some very sharp dialogue. The political machinations are quite believable. Quite Shakespearean in its wheels-within-wheels, examinations of the worst parts of human nature and outcome.
Great performance by Ian Richardson as Urquhart. He embodies all that is to be loathed, and yet grudgingly admired, about politics, and does so with a cunning charm and spot-on delivery. Good support by Susannah Harker as Mattie Storin.
I much preferred this, the original House of Cards, to the far more famous recent US version. The US version seemed all about Machiavellian machinations just for Machiavellian machinations' sake. There was no point to many of the intrigues and sub-plots, other to fill up space. This, the UK version, was much more focussed, was far less gratuitous in its scheming and knew when to stop.
Superb political drama. Very intriguing and highly plausible with some very sharp dialogue. The political machinations are quite believable. Quite Shakespearean in its wheels-within-wheels, examinations of the worst parts of human nature and outcome.
Great performance by Ian Richardson as Urquhart. He embodies all that is to be loathed, and yet grudgingly admired, about politics, and does so with a cunning charm and spot-on delivery. Good support by Susannah Harker as Mattie Storin.
I much preferred this, the original House of Cards, to the far more famous recent US version. The US version seemed all about Machiavellian machinations just for Machiavellian machinations' sake. There was no point to many of the intrigues and sub-plots, other to fill up space. This, the UK version, was much more focussed, was far less gratuitous in its scheming and knew when to stop.