The Greatest (2009)
Sentimentality is its strength ...or its downfall
30 April 2018
"The Greatest" feels like a Hallmark Channel movie with top A-list actors. Depending on what you think of the Hallmark Channel, this is either a compliment or an insult. As my title implies, sentimentality drives this story, not suspense or plot twists. Everything is (deliberately) predictable, meaning the actors' performances are the real attraction.

The story is about a dysfunctional family dealing with mourning and the extreme ways each person handles it, mostly in unflattering ways as if to show us how NOT to handle tragedy. The plot focuses on how they slowly attempt to reconcile their differences. The father (Pierce Brosnan) plays the stereotypical head of the household who refuses to break. The mother (Susan Sarandon) plays the self-absorbed victim who feels like she's the only one who's in pain. The son/brother (Johnny Simmons) totally disconnects as if he doesn't care. And a mysterious stranger who was the secret girlfriend (Carey Mulligan) represents the objective voice of reason with her wise, tolerant perspective, never really revealing her own struggle but instead seeking to draw the others out of their respective prisons.

If that description bores you, then you'll probably be bored by the movie. But if the core premise interests you, then give it a shot.

Although I said there are no plot twists, there are a few interesting complications (revealed right in the beginning) which spice up the story. Themes of infidelity, drug addiction, convicted criminals and unplanned pregnancy add some interesting flavor. But those remain off to the side so not to upstage the main story.

The climax and resolution comes down to a painful cliché which made me hate the movie at first, but now 24 hours later I think sometimes a cliché is the best way to make a point. I'm just mentioning that in case you have a similar reaction: give it some thought.

If you are looking for other quiet movies that focus on themes of loss and grieving, I recommend "Morning" (2010) - five chapters, or days, in the life of a couple suffering a tragedy; and on the lighter side I highly recommend "Marilyn Hotchkiss' Ballroom Dancing & Charm School" (2005) - the only movie that has multiple tragic deaths but manages to get your toes tapping to the Lindy Hop.
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