Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.
From his Essanay period after leaving Keystone, 'A Burlesque on Carmen' is not one of his very best but is one of his best early efforts and among the better short films of his. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'A Burlesque on Carmen'.
The story is still flimsy and actually one of the most lightweight ones of the Essanay period, there are times where it struggles to sustain the short length, and could have had more variety.
On the other hand, 'A Burlesque on Carmen' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.
While not one of his most hilarious or touching, 'A Burlesque on Carmen' is still very funny with some clever, entertaining and well-timed slapstick and is one of his first to have substance and pathos after 'The Bank', 'The Night in the Show' and 'The Tramp'. It moves quickly and there is no dullness in sight. The ending is great fun.
Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality and substance of the role. The supporting cast acquit themselves well, particularly a charming Edna Purviance.
In summary, very good and one of the best from Chaplin's Essanay period. 8/10 Bethany Cox
From his Essanay period after leaving Keystone, 'A Burlesque on Carmen' is not one of his very best but is one of his best early efforts and among the better short films of his. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'A Burlesque on Carmen'.
The story is still flimsy and actually one of the most lightweight ones of the Essanay period, there are times where it struggles to sustain the short length, and could have had more variety.
On the other hand, 'A Burlesque on Carmen' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.
While not one of his most hilarious or touching, 'A Burlesque on Carmen' is still very funny with some clever, entertaining and well-timed slapstick and is one of his first to have substance and pathos after 'The Bank', 'The Night in the Show' and 'The Tramp'. It moves quickly and there is no dullness in sight. The ending is great fun.
Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality and substance of the role. The supporting cast acquit themselves well, particularly a charming Edna Purviance.
In summary, very good and one of the best from Chaplin's Essanay period. 8/10 Bethany Cox