After a French national is murdered in Sámi territory in north Sweden, troubled investigator Kahina Zahdi (Leïla Bekhti) is sent out to investigate. She quickly learns there's a lot more at play.
The small local police force is faced with the task of solving a gruesome murder, unheard of in the otherwise sleepy mining community. And when lead investigator Rutger Burlin (Peter Stormare) unexpectedly takes his leave, the investigation suddenly lands on the shoulders of the somewhat clumsy public prosecutor Anders Harnesk (Gustaf Hammarsten), whom hardly anybody holds in high regard. Tensions only worsen when it turns out the French murder is only the tip of the iceberg, which puts both the mining community as well as the Sámi on edge. There's even a minor role for the Kven people.
Midnattssol offers an interesting window into Sámi culture, while succesfully contrasting the beauty and tranquility of the northern Swedish landscape and its six-month daylight with the dark cruelty of a troubled mind. While the mystification of Sámi customs may be a bit overdone, with at times incessant traditional joik singing and visions of reindeer, having a nåjd (Sámi shaman) make unexpected jokes lightens the mood sometimes.
The series touches on quite a few issues, such as racism, the treatment of minorities and their fight for basic rights, acceptance of (homo)sexuality, the bonds between parents and children, greed, honesty, revenge, and international relations. Almost all main characters grow and develop considerably during this multilingual drama, and they all have their own issues to overcome.
As a viewer, you really find yourself divided between the mining community and the Sámi, the motives of the murderer and the (not so innocent) victims, which in itself also reflects the inner turmoil of lead investigator Harnesk, who is half Swedish, half Sámi himself.
Small wonder both Hammarsted and Bekhti were nominees for Outstanding Actor and Outstanding Actress in a Drama TV Series at the Montecarlo TV Festival, and Midnattssol won the Kristallen Best Drama of the Year award.
Nice detail: the town of Kiruna does exist in real life, and it really plans to move in its entirety a few kilometres because of the iron mine.
The small local police force is faced with the task of solving a gruesome murder, unheard of in the otherwise sleepy mining community. And when lead investigator Rutger Burlin (Peter Stormare) unexpectedly takes his leave, the investigation suddenly lands on the shoulders of the somewhat clumsy public prosecutor Anders Harnesk (Gustaf Hammarsten), whom hardly anybody holds in high regard. Tensions only worsen when it turns out the French murder is only the tip of the iceberg, which puts both the mining community as well as the Sámi on edge. There's even a minor role for the Kven people.
Midnattssol offers an interesting window into Sámi culture, while succesfully contrasting the beauty and tranquility of the northern Swedish landscape and its six-month daylight with the dark cruelty of a troubled mind. While the mystification of Sámi customs may be a bit overdone, with at times incessant traditional joik singing and visions of reindeer, having a nåjd (Sámi shaman) make unexpected jokes lightens the mood sometimes.
The series touches on quite a few issues, such as racism, the treatment of minorities and their fight for basic rights, acceptance of (homo)sexuality, the bonds between parents and children, greed, honesty, revenge, and international relations. Almost all main characters grow and develop considerably during this multilingual drama, and they all have their own issues to overcome.
As a viewer, you really find yourself divided between the mining community and the Sámi, the motives of the murderer and the (not so innocent) victims, which in itself also reflects the inner turmoil of lead investigator Harnesk, who is half Swedish, half Sámi himself.
Small wonder both Hammarsted and Bekhti were nominees for Outstanding Actor and Outstanding Actress in a Drama TV Series at the Montecarlo TV Festival, and Midnattssol won the Kristallen Best Drama of the Year award.
Nice detail: the town of Kiruna does exist in real life, and it really plans to move in its entirety a few kilometres because of the iron mine.