In 1973 I failed to watch this private eye show. It would take many years of maturity until I rediscovered how great David Janssen's The Fugitive was. It has become one of my all-time favorites. It was excellent on many levels and taking to it's full potential was David Janssen. Given the chance in 2018 to see episodes of Janssen's post fugitive show Harry O was a no-brainer, I was in.
This is a show that fits with the natural on-screen persona of Janssen, not the other way around. Harry O is a retired cop on an early disability. He now spends his days working the occasional private case and living on the beach in San Diego. We don't, at least in the early episodes, know much about Harry's back story because what's important is where he's headed. He's somewhat of a loner, rather cool, but definitely a thinker. He doesn't drive a flashy car, in fact he rarely drives as his is a beater most often in for repairs. There's good elements here to make an interesting character and Janssen is adept at playing one that is layered yet not at all flashy.
Harry is a thinker, not a head knocker. Still he does get in some spots where his thinking put him in a bit of a precarious situation. Janssen, again, is perfect in this persona. Combine this with some fair writing (it's not as sharp or deep as that of The Fugitive) and Harry O is a very watchable and entertaining show. While it doesn't have the deep hook of his previous work, David Janssen gives this show legs. I like location filmed shows and San Diego is a nice backdrop in addition. At the point of the first episode I don't see a story arc like The Fugitive and I must say I think the previous show's episodes building to an arc will be missed. That said, I do recommend Harry O to fans of Janssen and those who like crime shows that don't condescend in bombast.
This is a show that fits with the natural on-screen persona of Janssen, not the other way around. Harry O is a retired cop on an early disability. He now spends his days working the occasional private case and living on the beach in San Diego. We don't, at least in the early episodes, know much about Harry's back story because what's important is where he's headed. He's somewhat of a loner, rather cool, but definitely a thinker. He doesn't drive a flashy car, in fact he rarely drives as his is a beater most often in for repairs. There's good elements here to make an interesting character and Janssen is adept at playing one that is layered yet not at all flashy.
Harry is a thinker, not a head knocker. Still he does get in some spots where his thinking put him in a bit of a precarious situation. Janssen, again, is perfect in this persona. Combine this with some fair writing (it's not as sharp or deep as that of The Fugitive) and Harry O is a very watchable and entertaining show. While it doesn't have the deep hook of his previous work, David Janssen gives this show legs. I like location filmed shows and San Diego is a nice backdrop in addition. At the point of the first episode I don't see a story arc like The Fugitive and I must say I think the previous show's episodes building to an arc will be missed. That said, I do recommend Harry O to fans of Janssen and those who like crime shows that don't condescend in bombast.