Positively, the expressive power of the lens language in Zhangke Jia's works has been steadily rising. This more refined detail and the high-level performance that Zhao Tao has been maintaining recently constitute the biggest attraction of this film.
However, the combination of the era restoration and the theme of the drama in the past works have not been realized.
Therefore, the narrative ambition to break the dimension wall seems to be more like a gimmick, and eventually leads to the disconnection of the middle part of the film.