Scorpion Thunderbolt is my 20th Godfrey Ho film to date, which means that, to my shame, I have now watched more films by Ho than I have Hitchcock. Ho is the yin to Hitchcock's yang, his films lacking in artistic merit, devoid of technical ability and free from the bounds of logic. Scorpion Thunderbolt is a prime example - a confusing mash-up of martial arts, monsters and magic that pays no heed to the established rules of cinema.
By re-editing scenes from 1983 Taiwanese horror Grudge of the Sleepwalking Woman, and inserting new footage featuring his go-to star Richard Harrison, Ho has created yet another wild and totally incomprehensible mess of random imagery that rarely makes sense. It's hard going at times, with scenes jumping awkwardly from the old footage to the new, terrible acting and dreadful effects, but occasionally the film entertains through its ineptitude and sheer bizarreness.
The plot, if one can call it that, concerns a pretty journalist called Helen Yu who transforms into a snake demon to kill women, her murderous impulses urged on by a semi-naked witch with golden talons and a blind man with a flute. Meanwhile, martial arts expert Harrison beats up and kills various baddies in his quest to destroy the witch using his magic ring, a golden sword and a mystical mirror.
Along the way, we witness a mental patient in a tree slinging animal guts at his carers, a hitch-hiker flashes her tits at Richard Harrison (before showing him her porn movie), Helen and her cop boyfriend Jackie run in slow motion along a beach, a man shoots snooker balls between a woman's legs, snakes attack Helen and Jackie while they are driving (animals were probably harmed during the filming of this scene), the witch does some expressive dance, and Helen transforms into a flying rubber snake-person.
You won't see any of that in a Hitchcock movie!
By re-editing scenes from 1983 Taiwanese horror Grudge of the Sleepwalking Woman, and inserting new footage featuring his go-to star Richard Harrison, Ho has created yet another wild and totally incomprehensible mess of random imagery that rarely makes sense. It's hard going at times, with scenes jumping awkwardly from the old footage to the new, terrible acting and dreadful effects, but occasionally the film entertains through its ineptitude and sheer bizarreness.
The plot, if one can call it that, concerns a pretty journalist called Helen Yu who transforms into a snake demon to kill women, her murderous impulses urged on by a semi-naked witch with golden talons and a blind man with a flute. Meanwhile, martial arts expert Harrison beats up and kills various baddies in his quest to destroy the witch using his magic ring, a golden sword and a mystical mirror.
Along the way, we witness a mental patient in a tree slinging animal guts at his carers, a hitch-hiker flashes her tits at Richard Harrison (before showing him her porn movie), Helen and her cop boyfriend Jackie run in slow motion along a beach, a man shoots snooker balls between a woman's legs, snakes attack Helen and Jackie while they are driving (animals were probably harmed during the filming of this scene), the witch does some expressive dance, and Helen transforms into a flying rubber snake-person.
You won't see any of that in a Hitchcock movie!