7/10
The nightmare is knowing you're sane.
17 January 2019
The lovely and appealing Dianne Hull ("Aloha, Bobby and Rose") plays Kelly McIntyre, a college student and disco dancer who suffers seizures on the dance floor one night. It turns out that she's been the victim of strychnine poisoning, but too many authority figures think she's delusional and suicidal, prompting them to place her in the psychiatric ward - the fifth floor of the tile - of the hospital. She has a very hard time convincing people that she's quite sane, and avoiding the lecherous paws of ultra-creepy orderly Carl (Bo Hopkins, "The Wild Bunch").

This is a reasonably entertaining exploitation-drama, somewhat forgotten over time, that should be of interest to fans of the genre. Purporting to be "based on" a true story, it's got an effectively sordid premise, complete with some nastiness and nudity along the way. It takes Kelly's tale seriously, allowing us to build sufficient sympathy for her as well as for some of her fellow inmates. It does have some genuine pathos going for it; Patti D'Arbanville plays a pregnant inmate named Cathy afraid of having her baby taken away, and Sharon Farrell (in a standout performance) is the frail and vulnerable Melanie; ones' heart just goes out to this poor, messed-up woman.

The film does a great job of really having you hate the Carl character. This is one of Hopkins' best roles and performances, and you keep waiting for this person to get some sort of comeuppance. Other roadblocks in Kelly's way include an administrator (guest star Mel Ferrer) and a head nurse (Julie Adams), who tend to dismiss Kelly and her plight.

The quirky characters are a highlight, enacted by a variety of familiar faces: Robert "Freddy Krueger" Englund (his entrance has him pretending to be a doctor), Anthony James (the antagonist in director Howard Avedis' "The Teacher") as the hostile Derrick, Earl Boen ("The Terminator") as the nerdy Phil, and Alice "Large Marge" Nunn as Emma. Pay close attention and you'll spot Michael Berryman ("The Hills Have Eyes" '77) as another inmate; however, Tracey Walter ("Repo Man") is harder to spot. Director Avedis and his actress wife Marlene Schmidt, who came up with the screen story, have small roles in the film.

Overall, this is engaging trash, that is more vivid than one might see in a TV movie treatment of such material.

Seven out of 10.
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