Review of Lovelace

Lovelace (2013)
6/10
A respectable, if not great, rendition of Lovelaces' sad tale.
31 January 2019
Directed by the team of Rob Epstein and Jeffrey Friedman, "Lovelace" is a short and not-so-sweet Hollywoodization of the real-life story of Linda Boreman, a.k.a. adult movie sensation Linda Lovelace. At 21 years old, she's living with her uptight parents (Robert Patrick and an unrecognizable Sharon Stone) when she meets charming stranger Chuck Traynor (Peter Sarsgaard). He's actually a pretty sleazy guy who finagles her into a job in porn films, specifically the landmark effort "Deep Throat". He also turns out to be an abusive monster, whose atrocities were recounted by Linda in her book "Ordeal".

With these Hollywood versions of such stories, it's always advisable to take them with a grain of salt. For one thing, even this viewer, who's not particularly knowledgeable about the adult film industry, knows full well that Linda did a fair bit more than just that one classic. "Lovelace" the movie actually leaves out some things to focus on limited story threads. The filmmakers try to be clever with their narrative by jumping back and forth in time, but this could only be confusing for some in the audience.

It's worth a look just to watch Epstein, Friedman, and company give us a look into the porn filmmaking scene in the 1970s. Time and place are well captured, but the soundtrack tends to get annoying; we don't need these constant reminders of when the story largely takes place. The film IS very slick, and makes its points in approximately an hour and a half, so it doesn't overstay its welcome.

The strength lies in the talents of the ensemble cast. Amanda Seyfried is appealing as the not-so-innocent but still endearing Linda, while Sarsgaard, no stranger to creepy roles, is convincing as the slime ball husband. Stone gives a creditable performance in a severely deglamourized role, and Adam Brody is a hoot as porn legend Harry Reems. James Franco is charisma-free and miscast as Hugh Hefner.

There is enough compelling material here for one to realize that a more in-depth recounting of the tale would be appreciated.

Six out of 10.
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