This is another very stylized crime saga from thriller genius Michael Mann(Heat, Public Enemies), that I feel is a pretty big deal IMO.
Yes its a utterly superb and gripping thriller from start to finish, but the reason its such a big deal is, is because the usually action lead superstar and normally good guy Tom Cruise goes way against type as a extremely cold hearted assassin who moves from target to target killing without a flinch half the time, this is so odd but very memorable and it works wonders in my opinion. Cruise brings his usual good looks, comical timing, kick ass nature and frenetic energy and moves it up a notch, his Vincent is truly one of the most coolest and lethal hitmen I have ever seen on the big screen, the amount of times he brutally killed his targets(plus others that cross his path)was awesome stuff, plus him stalking them(especially towards the end)was chilling and proves what a quality performer this guy is.
He is backed up by Jamie Foxx as poor cab driver Max being forced to drive Cruise's Vincent round LA as the bad guy goes after his targets. Foxx isn't as strong as Cruise, even if their chemistry is brilliant. Whether it is early on with Max first finding out about Vincent's antics, becoming his helper in crime, standing up to him at last and even reluctantly taking Vincent along to the hospital when he has to visit his mother(Cruise putting on the old charm as ever). Foxx is terrific and becomes more heroic as its goes along even if he appears a bit like his Amazing Spiderman 2 villain role Electro at the beginning(goofy and a bit cowardly), a very good foil to Cruise though.
The rest of the cast are more just tiny supporting players even if they all are very good. We have the beautiful Jada Pinkett Smith as Anne, a lawyer who Max falls for and who comes back into play in the corking finale. We also have a early role for Mark Ruffalo as a cop trying to find Vincent and Max, along with actor/director Peter Berg as his cop partner plus Javier Bardem in a small role as a gangster(shows his future quality in a small appearance)and of course a tiny cameo from future superstar Jason Statham, who delivers a package to Vincent in a airport(playing I think his Transporter character Frank Martin).
The movie is very stylish and not only reminds me of Mann's masterpiece Heat, mainly for its LA cityscapes, brutal and loud action scenes, shocks and the cool camera work, but it also reminds me of The Dark Knight , which followed about four years later. The skyscrapers, chases and wide shots as well as the memorable action moments remind me of the iconic comic book classic.
The film lulls a tad in the middle, mainly for the hospital visit plus Max in the club with Bardem's gangster and other slower moments drag a bit but the opening scenes especially the first few kills from Vincent are awesome(plus when Vincent guns down the two idiots who stole his briefcase in epic style), and of course the last 40 minutes or so when Jada's Anna reappears and is now on Vincent's hit list, its one of the most thrilling final acts I have seen, as Max really becomes a hero in trying to save his lady love from Vincent's relentless kill appetite(which sees a pitch black sequence in a office block plus a chase sequence before the last stand on a train). Another outstanding scene is in another nightclub which sees a couple of fantastic shoot outs plus Tom in full on Mission Impossible mode as he batters a few cops and gangsters(saving Max's life)and a shock death takes place after(again by Vincent).
Probably not in the very top level of Cruise's movies but its arguably his strongest and most menacing role still to date and makes the movie that much better because of it. He is backed up by cowardly then heroic Foxx, who also shows his future action potential. Jada gives one of her finest displays too and Ruffalo, Berg, Bardem and Statham are briefly memorable. Along with some of cinemas most stylized sequences, thrilling action and chases, dark humour, LA at its most visceral(both gorgeous and grim), a outstanding last act and a sad death, even though we really shouldn't care.
Michael Mann is the king of the crime saga plus Tom needs more roles like this now and then.
Yes its a utterly superb and gripping thriller from start to finish, but the reason its such a big deal is, is because the usually action lead superstar and normally good guy Tom Cruise goes way against type as a extremely cold hearted assassin who moves from target to target killing without a flinch half the time, this is so odd but very memorable and it works wonders in my opinion. Cruise brings his usual good looks, comical timing, kick ass nature and frenetic energy and moves it up a notch, his Vincent is truly one of the most coolest and lethal hitmen I have ever seen on the big screen, the amount of times he brutally killed his targets(plus others that cross his path)was awesome stuff, plus him stalking them(especially towards the end)was chilling and proves what a quality performer this guy is.
He is backed up by Jamie Foxx as poor cab driver Max being forced to drive Cruise's Vincent round LA as the bad guy goes after his targets. Foxx isn't as strong as Cruise, even if their chemistry is brilliant. Whether it is early on with Max first finding out about Vincent's antics, becoming his helper in crime, standing up to him at last and even reluctantly taking Vincent along to the hospital when he has to visit his mother(Cruise putting on the old charm as ever). Foxx is terrific and becomes more heroic as its goes along even if he appears a bit like his Amazing Spiderman 2 villain role Electro at the beginning(goofy and a bit cowardly), a very good foil to Cruise though.
The rest of the cast are more just tiny supporting players even if they all are very good. We have the beautiful Jada Pinkett Smith as Anne, a lawyer who Max falls for and who comes back into play in the corking finale. We also have a early role for Mark Ruffalo as a cop trying to find Vincent and Max, along with actor/director Peter Berg as his cop partner plus Javier Bardem in a small role as a gangster(shows his future quality in a small appearance)and of course a tiny cameo from future superstar Jason Statham, who delivers a package to Vincent in a airport(playing I think his Transporter character Frank Martin).
The movie is very stylish and not only reminds me of Mann's masterpiece Heat, mainly for its LA cityscapes, brutal and loud action scenes, shocks and the cool camera work, but it also reminds me of The Dark Knight , which followed about four years later. The skyscrapers, chases and wide shots as well as the memorable action moments remind me of the iconic comic book classic.
The film lulls a tad in the middle, mainly for the hospital visit plus Max in the club with Bardem's gangster and other slower moments drag a bit but the opening scenes especially the first few kills from Vincent are awesome(plus when Vincent guns down the two idiots who stole his briefcase in epic style), and of course the last 40 minutes or so when Jada's Anna reappears and is now on Vincent's hit list, its one of the most thrilling final acts I have seen, as Max really becomes a hero in trying to save his lady love from Vincent's relentless kill appetite(which sees a pitch black sequence in a office block plus a chase sequence before the last stand on a train). Another outstanding scene is in another nightclub which sees a couple of fantastic shoot outs plus Tom in full on Mission Impossible mode as he batters a few cops and gangsters(saving Max's life)and a shock death takes place after(again by Vincent).
Probably not in the very top level of Cruise's movies but its arguably his strongest and most menacing role still to date and makes the movie that much better because of it. He is backed up by cowardly then heroic Foxx, who also shows his future action potential. Jada gives one of her finest displays too and Ruffalo, Berg, Bardem and Statham are briefly memorable. Along with some of cinemas most stylized sequences, thrilling action and chases, dark humour, LA at its most visceral(both gorgeous and grim), a outstanding last act and a sad death, even though we really shouldn't care.
Michael Mann is the king of the crime saga plus Tom needs more roles like this now and then.