I admit having a strong appetite for the filmography of the French director Philippe Lioret. His films rhyme with simplicity, altruism, empathy, benevolence and sensitivity. Nowadays, this kind of observation is unfortunately rare. Moreover, Philippe Lioret has become a label of quality.
Following a call, a young Parisian dad learns of the death of his Quebec father when he did not know him, absolutely not, his mother having always hidden his identity. This trip on the other side of the Atlantic will be the opportunity to discover a step-family he did not know. And to know a little bit about himself.
My favorite scenes: Mathieu and Bettina together near the painting (there is a before and an after). Mathieu, his brothers and Pierre around the lake (a disappointment up to the expectations). The near-final scene in the car (it's particularly moving: it's not my style, but I almost had tears in my eyes)
As a synthesis, the movie is excellent. The casting, the dialogues and the directing are delightful.
Following a call, a young Parisian dad learns of the death of his Quebec father when he did not know him, absolutely not, his mother having always hidden his identity. This trip on the other side of the Atlantic will be the opportunity to discover a step-family he did not know. And to know a little bit about himself.
My favorite scenes: Mathieu and Bettina together near the painting (there is a before and an after). Mathieu, his brothers and Pierre around the lake (a disappointment up to the expectations). The near-final scene in the car (it's particularly moving: it's not my style, but I almost had tears in my eyes)
As a synthesis, the movie is excellent. The casting, the dialogues and the directing are delightful.