Wanted to see 'Waterland' for a number of reasons. My main reasons were the superb source material by Graham Swift, a haunting and poignant book with a point, and due to being a fan of Jeremy Irons (in a quest to see more of his work other than what has been seen already). Also hold his real life wife Sinead Cusack in very high regard and have always wished she was in more films. Very interesting subject too.
Found 'Waterland' to be a good and interesting film, but could have been even better than it was. It showcased very well Irons, Cusack, Lena Headey and Ethan Hawke in early appearances and composer Carter Burwell. As an adaptation, it is very well intended and doesn't disgrace the source material. But part of me felt like there could have been more depth to the characters and the story, both richer than what is seen in the film. On its own terms and judging it as a standalone, 'Waterland' does have a good deal to recommend.
Starting with what could have been done better in 'Waterland', although it is one of those stories where a deliberate pace is necessary there are times when the story is not as eventful where the pace felt too deliberate. Mentioned above about aspects of 'Waterland' that could have gone into more depth, a prime example would be the ending which did come over as rather vague.
The film is at its least interesting in the classroom scenes, not Tom's dialogue and certainly not how Irons delivers it. It was the dialogue of the students and how they reacted to some of what they were being taught, those moments were very awkwardly written and even unintentionally funny. The waste of the great Pete Postlethwaite, given far too little to do, is criminal.
However, 'Waterland' is held together beautifully by the acting. Irons is understated yet very sincere in the lead role and even little things like how he uses those melancholic eyes tell so much, back when he was in roles that played to his strengths and showed how great an actor he actually is. He shares an intensely touching chemistry with a very heartfelt Cusack, making one feel why they haven't done more projects together and it should be strongly considered in the future. Hawke, Headey and Grant Warnock are particularly good of the rest of the cast, a good thing too as other than Irons and Cusack they have the most to do.
It's filmed in a hauntingly beautiful way too, complementing the picturesque yet sometimes foreboding scenery perfectly. Burwell's score is perfectly hypnotic and Stephen Gyllenhaal directs sensitively enough. The past and present scenes have a good amount of affecting drama, air of mystery and haunting emotions, especially the past scenes and the latter scenes with Cusack. The back and forth between timelines is at least coherent and doesn't come over as jerky or disjointed, dangers with back and forths in films and have been fallen into. The dialogue is generally thoughtful, Irons delivers his final speech with a lot of poignancy and truth.
Overall, had its faults but still a well done film. 7/10
Found 'Waterland' to be a good and interesting film, but could have been even better than it was. It showcased very well Irons, Cusack, Lena Headey and Ethan Hawke in early appearances and composer Carter Burwell. As an adaptation, it is very well intended and doesn't disgrace the source material. But part of me felt like there could have been more depth to the characters and the story, both richer than what is seen in the film. On its own terms and judging it as a standalone, 'Waterland' does have a good deal to recommend.
Starting with what could have been done better in 'Waterland', although it is one of those stories where a deliberate pace is necessary there are times when the story is not as eventful where the pace felt too deliberate. Mentioned above about aspects of 'Waterland' that could have gone into more depth, a prime example would be the ending which did come over as rather vague.
The film is at its least interesting in the classroom scenes, not Tom's dialogue and certainly not how Irons delivers it. It was the dialogue of the students and how they reacted to some of what they were being taught, those moments were very awkwardly written and even unintentionally funny. The waste of the great Pete Postlethwaite, given far too little to do, is criminal.
However, 'Waterland' is held together beautifully by the acting. Irons is understated yet very sincere in the lead role and even little things like how he uses those melancholic eyes tell so much, back when he was in roles that played to his strengths and showed how great an actor he actually is. He shares an intensely touching chemistry with a very heartfelt Cusack, making one feel why they haven't done more projects together and it should be strongly considered in the future. Hawke, Headey and Grant Warnock are particularly good of the rest of the cast, a good thing too as other than Irons and Cusack they have the most to do.
It's filmed in a hauntingly beautiful way too, complementing the picturesque yet sometimes foreboding scenery perfectly. Burwell's score is perfectly hypnotic and Stephen Gyllenhaal directs sensitively enough. The past and present scenes have a good amount of affecting drama, air of mystery and haunting emotions, especially the past scenes and the latter scenes with Cusack. The back and forth between timelines is at least coherent and doesn't come over as jerky or disjointed, dangers with back and forths in films and have been fallen into. The dialogue is generally thoughtful, Irons delivers his final speech with a lot of poignancy and truth.
Overall, had its faults but still a well done film. 7/10