This film is a romantic comedy based on the story of a young man who believes he is Don Juan, the famous and fictional Spanish lover who seduced more than a thousand young maidens, and the attempts of a psychiatrist on the verge of reform to cure him before losing his last patient. Although the story of the film has not turned out brilliant, the film is worth the poetic beauty of what happens on screen, as well as the grandiose interpretation of Johnny Depp in the lead role.
In fact, the script of the film is not particularly remarkable. It is what it is, no surprises. It has beauty, has poetry, the main character itself was idealized under poetic and very literary premises (it behaves as if it had come out of an adventure book), but nothing more. There is not even a concern to give credence to what is shown. The bet made lies in the poetic beauty of the plot, and in the beautiful and convincing performance of Depp, who metamorphoses when he puts on the seducer's mask. He has all the charisma, the presence, the strength necessary to give life to that character, associating them with a genial touch of madness and dissociation of reality (something very present in most of the characters the actor has done). Beside him, Marlon Brando, in one of his last works worthy of mention.
Moreover, I believe that there are two or three characteristics that deserve a positive reference: the first is careful flashbacks, with great attention to the costumes and scenarios chosen; the second is the dialogues, and particularly the Depp monologues, loaded with literary beauty; the third is the insertion, on the soundtrack, of a beautiful song by Brian Addams, "Have You Ever Really Loved a Women," a theme that fits like a glove in the film's tonic.
It's an interesting movie, full of positive features that will certainly appeal to Depp fans, but it may not have much more to offer those who do not like romantic comedies.
In fact, the script of the film is not particularly remarkable. It is what it is, no surprises. It has beauty, has poetry, the main character itself was idealized under poetic and very literary premises (it behaves as if it had come out of an adventure book), but nothing more. There is not even a concern to give credence to what is shown. The bet made lies in the poetic beauty of the plot, and in the beautiful and convincing performance of Depp, who metamorphoses when he puts on the seducer's mask. He has all the charisma, the presence, the strength necessary to give life to that character, associating them with a genial touch of madness and dissociation of reality (something very present in most of the characters the actor has done). Beside him, Marlon Brando, in one of his last works worthy of mention.
Moreover, I believe that there are two or three characteristics that deserve a positive reference: the first is careful flashbacks, with great attention to the costumes and scenarios chosen; the second is the dialogues, and particularly the Depp monologues, loaded with literary beauty; the third is the insertion, on the soundtrack, of a beautiful song by Brian Addams, "Have You Ever Really Loved a Women," a theme that fits like a glove in the film's tonic.
It's an interesting movie, full of positive features that will certainly appeal to Depp fans, but it may not have much more to offer those who do not like romantic comedies.