I love the British B noirs, but some of them are confusing - huge plot holes and a story that doesn't make sense.
A young woman, Barbara Cummings (Rona Anderson) comes back to the family estate after the suicide of her father - if that's what it was. When the will is read, she inherits everything rather than it going to his business partner, where it was supposed to go initially. It's suggested by the solicitor that she continue to help the children's charity -- her father has left it 500 pounds, and she suggests that part of her home can go to house children.
Well here's where it gets a little dicey. People are trying to kill her, having something to do with drugs. Somehow the head of this charity is involved. I admit I lost track. The business partner is involved as well, taking orders from someone who wants Barbara set up to be killed during a shooting party.
Terence Fisher was a marvelous director. He really paid his dues with this one.
Stanley Baker has a small part as a devoted albeit slow servant, and tall, distinguished Guy Rolfe is a family friend who has romantic designs on the heroine.
This is the type of thriller where the ends don't all join up.What we know for certain from the very beginning is that Alan Wheatley is the murderer,simply because this is the role that he plays in nearly every film.However what is not quite as clear is why he is doing in all and sundry.We have Stanley Baker in a very early role playing a servant who is prepared to go to any lengths to protect his mistress.However there are too many unanswered questions.Like what is funny old Peter Jones doing in a role of a hit-man.Why is Alan Wheatley the head of a children's charity and a drug dealer at the same time.I could raise many points like this but none have a satisfactory answer.Thankfully it only lasts just over an hour so not much chance of getting bored.
A young woman, Barbara Cummings (Rona Anderson) comes back to the family estate after the suicide of her father - if that's what it was. When the will is read, she inherits everything rather than it going to his business partner, where it was supposed to go initially. It's suggested by the solicitor that she continue to help the children's charity -- her father has left it 500 pounds, and she suggests that part of her home can go to house children.
Well here's where it gets a little dicey. People are trying to kill her, having something to do with drugs. Somehow the head of this charity is involved. I admit I lost track. The business partner is involved as well, taking orders from someone who wants Barbara set up to be killed during a shooting party.
Terence Fisher was a marvelous director. He really paid his dues with this one.
Stanley Baker has a small part as a devoted albeit slow servant, and tall, distinguished Guy Rolfe is a family friend who has romantic designs on the heroine.
This is the type of thriller where the ends don't all join up.What we know for certain from the very beginning is that Alan Wheatley is the murderer,simply because this is the role that he plays in nearly every film.However what is not quite as clear is why he is doing in all and sundry.We have Stanley Baker in a very early role playing a servant who is prepared to go to any lengths to protect his mistress.However there are too many unanswered questions.Like what is funny old Peter Jones doing in a role of a hit-man.Why is Alan Wheatley the head of a children's charity and a drug dealer at the same time.I could raise many points like this but none have a satisfactory answer.Thankfully it only lasts just over an hour so not much chance of getting bored.