Korczak, directed by Andrzej Wajda, retraces the last episode of the life of Henryk Goldszmit, internationally renowned Polish writer and pediatrician. Author of books on the education of children, he ran an orphanage in Warsaw which had to be transferred to the ghetto. He stayed until the end with the 200 children he had gathered by accompanying them, on August 6, 1942, to Treblinka camp. A true hero, he went to his death so that the children of the Warsaw orphanage would have a friend with them at the end. The script, one of the five that Agnieszka Holland wrote for Wajda's films, unfolds the events in chronological order. It all began in 1936, with anti-Semitic pressures that ended in the removal of Henryk Goldszmit's program on child rearing, although he chose to Polish his name with Janusz Korczak. Korczak, with its factual relationship to history, without spectacular effects, avoiding as far as possible images that are too shocking, announces Schindler's List, which Steven Spielberg achieved three years later. Korczak owes much to the sober and fair playacting of Wojciech Pszoniak, one of the great Polish actors familiar with the work of Andrzej Wajda: we saw him in seven Wajda essays, including Danton (1983), The Wedding (Wesele, 1973) and The Promised Land (Ziemia obiecana, 1975). Among the best dramatic films related to the Holocaust which I have seen I'm afraid I wouldn't include the TV series Holocaust or Inglourious basterds (2009) or Life is beautiful (1997) - which, by the way, WERE NOT biopics, but I'd place Korczak (a biopic) among the give-or-take 20 best, just after Judgment at Nurenberg (both versions), The pianist (2003) Au revoir les enfants, Schindler's list, Enemies, a love story (1989), Amen (2002), Nuit et brouillard (1956), The diary of Anne Frank (both versions), The reader (2008), Europa Europa (1990), The pawnbroker (1964), The boy in the striped pyjama, Denial (2016), Fiddler on the roof (1971), Ida (2015), Woman in gold and Playing for time.
