5/10
Roger Corman Gets Some Credit
17 January 2020
Richard Conte, newly released from the armed forces, is in Las Vegas to meet a friend. First, he has an encounter with a B-girl. The next morning, as he tries to hitch a ride seven miles outside the city, he's picked up by the police under the command of Reed Hadley. The girl has been strangled, and Conte's dog tags were found beneath her. He gets the drop on the cops and high tails it out of town, only to hook up with magazine photographer Joan Bennett and her model, Wanda Hendrix.

There are some big holes in the plot, and some wild coincidences to make everything come out in Hollywood fashion. On the other hand, the actors are solid, Harry Harvey has a small, semi-comical role that advances the plot, and the denouement in a house in the Salton Sea makes a good setting for this early Desert Noir.

Part of the problems in the script can be ascribed to this being the first credited writing and producing job for Roger Corman. He had done some uncredited script work on THE GUNFIGHTER, but now, he had Allied Artists doing the distribution, William Broidy producing and Nathan Juran directing. All were exponents of the we-want-It-Tuesday school of non-excellence.

I guess it was good enough to turn a profit.

Although Miss Bennett is wasted in her role, the other named actors are good, and there are lots of other old-time performers to space things up.
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