Review of Luce

Luce (I) (2019)
Too Cryptic For Its Own Good
20 January 2020
A confusing, conflicting & cryptic thriller that plays with our perceptions to challenge our preconceptions, Luce clearly intends on starting a conversation but it also does the bare minimum to make it happen as the film expects the audience to figure out the mystery yet doesn't provide a starting point to get them going.

Co-written & directed by Julius Onah (The Cloverfield Paradox), the film is certainly an improvement over his previous dud and is captivating in its narration that tackles parent anxieties, assumption, suspicion, biases & guilt, but much of what it wants to say is lost in translation, and the ambivalent ending doesn't help the cause either.

There are a lot of things that are left unresolved by the end, and even the cast does too well to not let anything slip away. Kelvin Harrison Jr. chips in with a multifaceted input that keeps us guessing at all times. Both Naomi Watts & Tim Roth do good as his concerned parents. Andrea Bang easily steals her scenes, and Octavia Spencer is brilliant as usual.

Overall, Luce is a deliberately complex yet sufficiently engaging drama that asks a lot of questions but refuses to answer any of them. What keeps the interest alive is our very own curiosity to discern the truth, and the anticlimactic end leaves behind an underwhelming aftertaste. Still, for its strong performances & thought-provoking treatment, Luce is worth a shot.
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