Gail Russell becomes governess to Joel McCrea's two motherless children. McCrea is a moody fellow. He gets sleeping pills from neighborhood doctor Herbert Marshall, and says that his children were spoiled by their unseen grandmother. The girl, Nona Griffith, is a sweet little thing, but the boy, Richard Lyon, takes a dislike to Miss Russell, seems to have a lot of money, and makes phone calls he says he didn't. Miss Griffith also tries to keep secrets. The house is an old, gloomy, run-down place, and after midnight there are signs that there's some stranger there.
It's an Old Dark House movie, and the unraveling of its mysteries make up the bulk of its length. Miss Russell goes through the movie with an expression of wide-eyed innocence that formed the basis of her star persona in this period. She stands in for the audience as a spectator to the disquieting behavior around her. McCrea shows that his distracted comedy shtick can be applied to drama as well.
Despite Raymond Chandler being one of the screen writers of this movie, I thought it depended far more on the atmosphere of the movie than the substance of its plot. Director Lewis Allen and cinematographer John Seitz offer that in gobs, and the actors so their jobs well enough to provide a good movie, if the audience be willing. It's an efficient studio picture that kept me interested through the end.
It's an Old Dark House movie, and the unraveling of its mysteries make up the bulk of its length. Miss Russell goes through the movie with an expression of wide-eyed innocence that formed the basis of her star persona in this period. She stands in for the audience as a spectator to the disquieting behavior around her. McCrea shows that his distracted comedy shtick can be applied to drama as well.
Despite Raymond Chandler being one of the screen writers of this movie, I thought it depended far more on the atmosphere of the movie than the substance of its plot. Director Lewis Allen and cinematographer John Seitz offer that in gobs, and the actors so their jobs well enough to provide a good movie, if the audience be willing. It's an efficient studio picture that kept me interested through the end.