"My Love Came Back" is another film that must have stretched the minds and imagination of the Warner Brothers team for a title. Youth, age, music, family, romance, and comedy are what this film is about. Considering the year, it seems a good and much more descriptive title might have been, "Music for all Ages."
This isn't a musical in the sense of revues or plays set to music. Rather, it resembles musical biography when the subject or main character is a musician - singer, song writer, composer, instrumentalist. The star here is Amelia Cornell, a gifted and outstanding violinist in the Brissac Academy of Music. Olivia de Havilland plays the role superbly in a fictional story that mixes some fine classical and swing music into something of a wacky story. It's a good one, but it involves a few subplots and genres that are centered around the musical world.
Thus, it mixes in business, family, friendship, livelihoods, and study with jealousies, suspicion, misconceptions, innuendo, romance and comedy. The humor is in the situations, and it holds this whole plot together, which otherwise would not be very good as drama. What brings this all to life and makes it such an enjoyable film is a cast of superb supporting actors and emerging stars of the day. The second female lead is Jo O'Keefe, played by Jane Wyman. She and de Havilland would go on to win Academy Awards, and they would be in one more comedy together - "Princess O'Rourke" in 1943.
The male lead isn't so well defined, although Jeffrey Lynn has first billing as Tony Baldwin. His role is okay, but Lynn never seemed to put much life or oomph into his roles. But Charles Winninger as Julius Malette and Eddie Albert as Dusty Rhodes add to the zest that Amelia and Joy provide. S.Z. Sakall is very good as Gez Payer, the academy music conductor. Spring Byington is good as Mrs. Malette in a somewhat subdued role from her normal persona. Grant Mitchell is the best known of the rest of the cast, as Dr. Kobbe. William Orr and Ann Gillis play Malette grown children, Paul and Valerie.
This is a humorous, warm and entertaining film that fans of any of its cast, especially, should enjoy.
This isn't a musical in the sense of revues or plays set to music. Rather, it resembles musical biography when the subject or main character is a musician - singer, song writer, composer, instrumentalist. The star here is Amelia Cornell, a gifted and outstanding violinist in the Brissac Academy of Music. Olivia de Havilland plays the role superbly in a fictional story that mixes some fine classical and swing music into something of a wacky story. It's a good one, but it involves a few subplots and genres that are centered around the musical world.
Thus, it mixes in business, family, friendship, livelihoods, and study with jealousies, suspicion, misconceptions, innuendo, romance and comedy. The humor is in the situations, and it holds this whole plot together, which otherwise would not be very good as drama. What brings this all to life and makes it such an enjoyable film is a cast of superb supporting actors and emerging stars of the day. The second female lead is Jo O'Keefe, played by Jane Wyman. She and de Havilland would go on to win Academy Awards, and they would be in one more comedy together - "Princess O'Rourke" in 1943.
The male lead isn't so well defined, although Jeffrey Lynn has first billing as Tony Baldwin. His role is okay, but Lynn never seemed to put much life or oomph into his roles. But Charles Winninger as Julius Malette and Eddie Albert as Dusty Rhodes add to the zest that Amelia and Joy provide. S.Z. Sakall is very good as Gez Payer, the academy music conductor. Spring Byington is good as Mrs. Malette in a somewhat subdued role from her normal persona. Grant Mitchell is the best known of the rest of the cast, as Dr. Kobbe. William Orr and Ann Gillis play Malette grown children, Paul and Valerie.
This is a humorous, warm and entertaining film that fans of any of its cast, especially, should enjoy.