The plot is actually impressingly ingenious, as it is impossible to guess what it is all about, and like the poor framed victim and failed wooer you feel inclined to just give it all up, but there are two dames involved in this, one in the thick of it and one by accident. Eventually the one with the many children carries home the prize.
The music adds to the increasing quality of this very suggestive noir, and several composers appear to have been at it, among others Frank Skinner and Miklos Rosza. William Castle directed many films, mostly B, the "Whistler" series and the "Crime Doctor" series among others, but this should be one of the best ones. For once the brevity of the film is an asset, because it increases the density and the brilliant conciseness of the account. The plot is brilliantly contrived, like a perfect jig-saw puzzle, which is impossible to identify before it is finished, as the clue to the mystery arrives better late than never. The actors make good performances, Scott Brady on the rack at the mercy of Dorothy Hart, while Peggy Dow is a relief. You get misgivings from the beginning as it is in the racket of gambling, starting off at Reno and continuing in Chicago with hoodlums and everything, and all your worst suspicions gradually come true. But it is an efficient thriller and well worth watching, for all its extreme unpleasantness of worries and suspense.
The music adds to the increasing quality of this very suggestive noir, and several composers appear to have been at it, among others Frank Skinner and Miklos Rosza. William Castle directed many films, mostly B, the "Whistler" series and the "Crime Doctor" series among others, but this should be one of the best ones. For once the brevity of the film is an asset, because it increases the density and the brilliant conciseness of the account. The plot is brilliantly contrived, like a perfect jig-saw puzzle, which is impossible to identify before it is finished, as the clue to the mystery arrives better late than never. The actors make good performances, Scott Brady on the rack at the mercy of Dorothy Hart, while Peggy Dow is a relief. You get misgivings from the beginning as it is in the racket of gambling, starting off at Reno and continuing in Chicago with hoodlums and everything, and all your worst suspicions gradually come true. But it is an efficient thriller and well worth watching, for all its extreme unpleasantness of worries and suspense.