Despite the ratings I found this to be the second best "Jim Kelly" movie I have watched. (And by that I mean one where he is top of the bill, so not the likes of "Enter The Dragon" or "Three The Hard Way"). In other words better than "Black Belt Jones", "Hot Potato" or "Black Samurai".
Why? Mainly because the action is for the most part competently choreographed and shot when compared with the others. The cutting and camera angles make for better movie action viewing.
The second thing which makes this more fun is the novelty cast, which include, George "James Bond" Lazenby, Harold "Odd Job" Sakata, Aldo Ray, the ever reliable Bob Minor and Myron "Bruce" Lee" (Myron? Really?). Lazenby, contrary to his reputation, can act quite adequately, but he can't fight convincingly in this company, which is where the competent use of cutting and camera angles come in. Sakata can't act, but he is the most iconic Bond villain of the Connery era, "Odd Job", so it doesn't really matter. Turns out he can't fight convincingly either and on this occasion the action Director doesn't come to his rescue for some reason, which is disappointing. Aldo Ray's career peaked early, around 1955 when he was in "We're No Angels" with Bogart and Ustinov, and his acting channels all the grumpy frustration that he must have been feeling by this time;- finding himself down among the B movie bottom feeders. Meanwhile Jim himself is in as good form as I've ever seen him.
The plot premise is ridiculous but barely explored, used merely as a "McGuffen" to set the ball rolling, the plot structure is routine but serviceable and the dialogue banal, but in the World of Jim Kelly movies that is all par for the course.
More than one dimension, possibly two dimensions, but not three.
Why? Mainly because the action is for the most part competently choreographed and shot when compared with the others. The cutting and camera angles make for better movie action viewing.
The second thing which makes this more fun is the novelty cast, which include, George "James Bond" Lazenby, Harold "Odd Job" Sakata, Aldo Ray, the ever reliable Bob Minor and Myron "Bruce" Lee" (Myron? Really?). Lazenby, contrary to his reputation, can act quite adequately, but he can't fight convincingly in this company, which is where the competent use of cutting and camera angles come in. Sakata can't act, but he is the most iconic Bond villain of the Connery era, "Odd Job", so it doesn't really matter. Turns out he can't fight convincingly either and on this occasion the action Director doesn't come to his rescue for some reason, which is disappointing. Aldo Ray's career peaked early, around 1955 when he was in "We're No Angels" with Bogart and Ustinov, and his acting channels all the grumpy frustration that he must have been feeling by this time;- finding himself down among the B movie bottom feeders. Meanwhile Jim himself is in as good form as I've ever seen him.
The plot premise is ridiculous but barely explored, used merely as a "McGuffen" to set the ball rolling, the plot structure is routine but serviceable and the dialogue banal, but in the World of Jim Kelly movies that is all par for the course.
More than one dimension, possibly two dimensions, but not three.