"Artists and Models" of 1937 has lots of talent in a revue format of a musical comedy. Jack Benny headlines a cast with several prominent actresses of the day. Benny is still early in his film career when his comedy is very good, fresh and natural. In his later TV days he was funny but not very innovative or original. But this film has some unusual aspects that make it quite good. Some of those will appeal to specific interests.
For instance, there is a fantastic scene of life-side puppets choreographed to music. Russell Patterson was a famous puppeteer of the day, and he designed the lifelike dolls for this film that he called "personettes." I've never seen anything like this before, and it's superbly done.
Then, there are the cameos of several off the top cartoon artists of the day - again, something I don't think has ever been done before or since in a movie. Benny's Mac Brewster is emceeing the Artists and Models benefit show that has six prominent artists all painting a model. He introduces each one separately - getting their names wrong for some humor. They include Rube Goldberg, John LaGatta, Russell Patterson, Peter Arno, McClelland Barclay and Arthur William Brown.
And, this film has a good peek stage life. Lots of movies have been made in which the theater is central to the plot. While most of them give snippets of details behind the scene and stage, very few films have shown the whole operation in setting up a stage for a play. This one does that in the opening. It shows sets going up, lighting and cameras being set, and a good picture of overall behind the scenes production work.
The bevy of prominent female entertainers of the day include Ida Lupino and Paul Sewell, Gail Patrick as Cynthia Wentworth, Jud Canova as Toots, Martha Raye as Specialty, Hedda Hoper as Mrs. Townsend and Cecil Cunningham as Stella. A very young looking Louis Armstrong blows his horn along with music provided by Andre Kostelanetz and his orchestra. Other top actors in the cast are Richard Arlen as Alan Townsend, Ben Blue as Jupiter Pluvius, and Donald Meek as Dr. Zimmer.
Judy Canova and Ben Blue have an excellent song, dance and acrobatic skit, titled Public Melody No. 1. This film is quite wacko in places, but that adds to its enjoyment as a very good musical comedy.
An exchange between Benny's Brewster and Rube Goldberg is one of the wackiest scenes ever. The viewers can't see the canvas that Goldberg was painting during this conversation. Mac Brewster, "Oh, do you mind if I look over your shoulder?" Rube Goldberg, "No, I'd love it. It annoys me terribly." Brewster, "Oh, I don't want to appear critical, but haven't you got her left arm just a little out of place?" Goldberg, "That's her foot." Brewster, "Ohhhh, yes. That explains the shoe." Goldberg, "Well, it's all finished now. Whaddaya think of it?" Brewster, pointing to a gorgeous live model, "Uh, you mean to say this is her?" Goldberg, "Yes, I saw her up there and I brought her down here." (The picture shows two old codgers in a balancing act.) Brewster, "Well, the trip certainly didn't do her any good." Goldberg, "A good likeness, really. I'm, I'm proud of it." Brewster, "Mmm. You mean to tell me that that's art?" Goldberg, "No, no. (He points at one and then the other of the two figures.) That's Sam. That's Art with the beard. Brewster, "Ohhh. Ohhhh! And what connections has he with the model?" Goldberg, "That's her grandfather. I knew him well."
Here are some other not so crazy, but good comedy lines.
Mac Brewster, after falling backward in his chair the fourth time, "I'm either going to get a new chair or spurs."
Mac Brewster, "Look, Paula, let's you and I go out and take a nice long walk - maybe it'll rain."
Mac Brewster, "Now, wait a minute. I may not be any Don Juan, but if I haven't got more appeal than a 40-story jump out of a window, I'll....all right, 20 stories."
Mac Brewster, "I love babies." Cynthia Wentworth, "Oh, do you?" Mac Brewster, "Oh, yes. I used to be one myself."
Mac Brewster, "Don't think I'm jealous. I always turn green this time of year."
Cynthia Wentworth, "Oh, Mac, you have so much to learn about love." Mac Brewster, "I guess so. You know, father was always gonna have a talk with me, but he kept putting it off."
Mac Brewster, "You know, you and I must go out together some time and have our heads examined." Rube Goldberg, "Oh, why bring them along?" Brewster, "Oh, that's right. We'll have more fun alone."
For instance, there is a fantastic scene of life-side puppets choreographed to music. Russell Patterson was a famous puppeteer of the day, and he designed the lifelike dolls for this film that he called "personettes." I've never seen anything like this before, and it's superbly done.
Then, there are the cameos of several off the top cartoon artists of the day - again, something I don't think has ever been done before or since in a movie. Benny's Mac Brewster is emceeing the Artists and Models benefit show that has six prominent artists all painting a model. He introduces each one separately - getting their names wrong for some humor. They include Rube Goldberg, John LaGatta, Russell Patterson, Peter Arno, McClelland Barclay and Arthur William Brown.
And, this film has a good peek stage life. Lots of movies have been made in which the theater is central to the plot. While most of them give snippets of details behind the scene and stage, very few films have shown the whole operation in setting up a stage for a play. This one does that in the opening. It shows sets going up, lighting and cameras being set, and a good picture of overall behind the scenes production work.
The bevy of prominent female entertainers of the day include Ida Lupino and Paul Sewell, Gail Patrick as Cynthia Wentworth, Jud Canova as Toots, Martha Raye as Specialty, Hedda Hoper as Mrs. Townsend and Cecil Cunningham as Stella. A very young looking Louis Armstrong blows his horn along with music provided by Andre Kostelanetz and his orchestra. Other top actors in the cast are Richard Arlen as Alan Townsend, Ben Blue as Jupiter Pluvius, and Donald Meek as Dr. Zimmer.
Judy Canova and Ben Blue have an excellent song, dance and acrobatic skit, titled Public Melody No. 1. This film is quite wacko in places, but that adds to its enjoyment as a very good musical comedy.
An exchange between Benny's Brewster and Rube Goldberg is one of the wackiest scenes ever. The viewers can't see the canvas that Goldberg was painting during this conversation. Mac Brewster, "Oh, do you mind if I look over your shoulder?" Rube Goldberg, "No, I'd love it. It annoys me terribly." Brewster, "Oh, I don't want to appear critical, but haven't you got her left arm just a little out of place?" Goldberg, "That's her foot." Brewster, "Ohhhh, yes. That explains the shoe." Goldberg, "Well, it's all finished now. Whaddaya think of it?" Brewster, pointing to a gorgeous live model, "Uh, you mean to say this is her?" Goldberg, "Yes, I saw her up there and I brought her down here." (The picture shows two old codgers in a balancing act.) Brewster, "Well, the trip certainly didn't do her any good." Goldberg, "A good likeness, really. I'm, I'm proud of it." Brewster, "Mmm. You mean to tell me that that's art?" Goldberg, "No, no. (He points at one and then the other of the two figures.) That's Sam. That's Art with the beard. Brewster, "Ohhh. Ohhhh! And what connections has he with the model?" Goldberg, "That's her grandfather. I knew him well."
Here are some other not so crazy, but good comedy lines.
Mac Brewster, after falling backward in his chair the fourth time, "I'm either going to get a new chair or spurs."
Mac Brewster, "Look, Paula, let's you and I go out and take a nice long walk - maybe it'll rain."
Mac Brewster, "Now, wait a minute. I may not be any Don Juan, but if I haven't got more appeal than a 40-story jump out of a window, I'll....all right, 20 stories."
Mac Brewster, "I love babies." Cynthia Wentworth, "Oh, do you?" Mac Brewster, "Oh, yes. I used to be one myself."
Mac Brewster, "Don't think I'm jealous. I always turn green this time of year."
Cynthia Wentworth, "Oh, Mac, you have so much to learn about love." Mac Brewster, "I guess so. You know, father was always gonna have a talk with me, but he kept putting it off."
Mac Brewster, "You know, you and I must go out together some time and have our heads examined." Rube Goldberg, "Oh, why bring them along?" Brewster, "Oh, that's right. We'll have more fun alone."