This fourth film, continuing a grand saga, immediately impresses upon us that the heroes grow in their capabilities as the stakes and dangers escalate. The movie rather quickly launches into an action sequence with shinier outfits, prettier special effects, and overtly fantastical set pieces.
'Mythica: The iron crown' improves further upon the technical craft of its predecessors, while also angling for a more over the top presentation replete with some overacting by the supporting cast, vehicles that strain our suspension of disbelief, and a heightened sense of humor. Even with the more outlandish tone of a romp, though, varying somewhat from its predecessors, this remains great fun, and a worthwhile addition to the journey.
Despite the more garrish aspects of this entry, the production design is certainly another step up in the 'Mythica' mythos. Wardrobe and costume design is superb, ever more refined, and other such less commonly celebrated elements - filming locations, set design and decoration, props, hair, makeup, fight choreography - are just as fetching in our sight. The special effects, typically considered lesser in any feature lacking the support of a major Hollywood studio, have similarly advanced compared to 'The Necromancer,' 'Darkspore,' or especially 'A quest for heroes.' It's clear that great effort was poured into elevating the series further, and I for one think it's paid off.
Of course, writing is also historically a sticking point for features outside the studio system. As has been true previously in this series, the screenplay is direct and fast-paced, seeking to keep things moving and advance the plot. It's so fast-paced that it was two-thirds over before I knew it. There may not be a great deal of subtlety in the screenwriting, but story beats are enjoyable as they build the epic, and the narrative flow is cohesive and believable. Characterizations continue to show more depth and complexity than is generally true in movies of this sort, dialogue is suitable, and the marginally greater attention to humor provides no small amount of amusement.
While somewhat limited by the writing, the cast once again shows their capabilities. Star Melanie Stone continues to demonstrate great range and force of personality as protagonist Marek, and her co-stars handily inhabit their roles. Matthew Mercer is given still more screen time as chief antagonist Szorlok, and it's as much a delight to watch him in a feature film as in Critical Role. Given a small supporting part as a zombified girl, Paris Warner gets to have a good time while literally chewing scenery.
'The Iron Crown' notably leans away a bit from the commonality of its antecedents, feeling less like the realization of a Dungeons & Dragons campaign on film. This is perhaps attributable to the increasingly high levels at which the characters operate in the narrative - and maybe even the strengthened writing and production values that allow the feature to stand taller on its own merits. Then, too - while this entry remains a piece of a larger whole, the grand overall quest feels less prominent, deemphasized as the party's current task differs a little from their mission in the prior movies. And it's also worth considering that as the grand saga approaches its finale, this chapter perhaps works as much as anything to set up the conclusion.
This fourth films feels the most distinct yet in the 'Mythica' series, but absolutely maintains the same broad qualities of fantasy, adventure, action, and fun. It's worth mentioning that at this point there's little to be gleaned from the movie if one hasn't already committed to viewing the saga in its entirety - one would hardly watch the second film of a trilogy, let alone the third, without first having knowledge of its origin. Still, for anyone interested in these niche genres, 'Mythica: The Iron Crown' is an unexpectedly well-made picture that contributes substantially to an even bigger engrossing tale.
Worth watching? I sure think so - with the caveat that you should watch three other movies first.
'Mythica: The iron crown' improves further upon the technical craft of its predecessors, while also angling for a more over the top presentation replete with some overacting by the supporting cast, vehicles that strain our suspension of disbelief, and a heightened sense of humor. Even with the more outlandish tone of a romp, though, varying somewhat from its predecessors, this remains great fun, and a worthwhile addition to the journey.
Despite the more garrish aspects of this entry, the production design is certainly another step up in the 'Mythica' mythos. Wardrobe and costume design is superb, ever more refined, and other such less commonly celebrated elements - filming locations, set design and decoration, props, hair, makeup, fight choreography - are just as fetching in our sight. The special effects, typically considered lesser in any feature lacking the support of a major Hollywood studio, have similarly advanced compared to 'The Necromancer,' 'Darkspore,' or especially 'A quest for heroes.' It's clear that great effort was poured into elevating the series further, and I for one think it's paid off.
Of course, writing is also historically a sticking point for features outside the studio system. As has been true previously in this series, the screenplay is direct and fast-paced, seeking to keep things moving and advance the plot. It's so fast-paced that it was two-thirds over before I knew it. There may not be a great deal of subtlety in the screenwriting, but story beats are enjoyable as they build the epic, and the narrative flow is cohesive and believable. Characterizations continue to show more depth and complexity than is generally true in movies of this sort, dialogue is suitable, and the marginally greater attention to humor provides no small amount of amusement.
While somewhat limited by the writing, the cast once again shows their capabilities. Star Melanie Stone continues to demonstrate great range and force of personality as protagonist Marek, and her co-stars handily inhabit their roles. Matthew Mercer is given still more screen time as chief antagonist Szorlok, and it's as much a delight to watch him in a feature film as in Critical Role. Given a small supporting part as a zombified girl, Paris Warner gets to have a good time while literally chewing scenery.
'The Iron Crown' notably leans away a bit from the commonality of its antecedents, feeling less like the realization of a Dungeons & Dragons campaign on film. This is perhaps attributable to the increasingly high levels at which the characters operate in the narrative - and maybe even the strengthened writing and production values that allow the feature to stand taller on its own merits. Then, too - while this entry remains a piece of a larger whole, the grand overall quest feels less prominent, deemphasized as the party's current task differs a little from their mission in the prior movies. And it's also worth considering that as the grand saga approaches its finale, this chapter perhaps works as much as anything to set up the conclusion.
This fourth films feels the most distinct yet in the 'Mythica' series, but absolutely maintains the same broad qualities of fantasy, adventure, action, and fun. It's worth mentioning that at this point there's little to be gleaned from the movie if one hasn't already committed to viewing the saga in its entirety - one would hardly watch the second film of a trilogy, let alone the third, without first having knowledge of its origin. Still, for anyone interested in these niche genres, 'Mythica: The Iron Crown' is an unexpectedly well-made picture that contributes substantially to an even bigger engrossing tale.
Worth watching? I sure think so - with the caveat that you should watch three other movies first.