Dale Robertson makes this show his own. A boxer, horseman, and war hero before he ever appeared on screen, he never had an acting lesson, but his character somehow shines through in the part he plays. Intense. If he walked toward you in a saloon, you'd definitely step aside. He spits out his lines in a clipped cadence and is totally believable. His narration can add a poetic touch to some episodes, but more often it seems like he's recalling an experience from his own past, effectively setting up the episode before jumping in.
The stories are well-written, packing a lot into each half-hour episode. Though there are bank robberies and stage hold-ups, they also explore fresh territory, like an outlaw who fakes his own death in order to collect the reward, or a gun smuggling ring, or a stage coach that disappears in a ghost town.
The show doesn't rely on a cast of support characters, but with Robertson's presence, the clever plotting, and sharp dialogue, it isn't necessary. And with the character dispatched to a different locale every episode, the show avoids the static feel of most western series.
The stories are well-written, packing a lot into each half-hour episode. Though there are bank robberies and stage hold-ups, they also explore fresh territory, like an outlaw who fakes his own death in order to collect the reward, or a gun smuggling ring, or a stage coach that disappears in a ghost town.
The show doesn't rely on a cast of support characters, but with Robertson's presence, the clever plotting, and sharp dialogue, it isn't necessary. And with the character dispatched to a different locale every episode, the show avoids the static feel of most western series.