Some Gorgeous and Slick Color Images Embody the Late 60's Psychedelic London Vibe of New "Freedoms" On-Screen.
Such as Nudity and Drugs, coupled with Outrageous Hair and Clothes Styles.
Klaus Kinski, in a Tempered Role, is Involved with His Wife, a Rich Heiress, and Her Sudden and Tragic Death by Sabotage.
It Sends Him to the London "Underground" Scene and Assorted Characters such as Models and Pornographers.
Typical "Who-Done-It" Plot is Ramped by some Beautiful Cinematography and a Neo-Noir Feel.
It also Employs Modern Tropes of Italian and German Cinema Packaged for an International Market.
It's a Great Film to Look At and Kinski, as always, is an Intriguing Screen Presence.
The Story has some Flow-Problems as the Plot gets Complex but Nevertheless is a Good Example of B-Movie Making in the "Times That Were A Changin".
Such as Nudity and Drugs, coupled with Outrageous Hair and Clothes Styles.
Klaus Kinski, in a Tempered Role, is Involved with His Wife, a Rich Heiress, and Her Sudden and Tragic Death by Sabotage.
It Sends Him to the London "Underground" Scene and Assorted Characters such as Models and Pornographers.
Typical "Who-Done-It" Plot is Ramped by some Beautiful Cinematography and a Neo-Noir Feel.
It also Employs Modern Tropes of Italian and German Cinema Packaged for an International Market.
It's a Great Film to Look At and Kinski, as always, is an Intriguing Screen Presence.
The Story has some Flow-Problems as the Plot gets Complex but Nevertheless is a Good Example of B-Movie Making in the "Times That Were A Changin".