If you're not a fan of Glenn Ford's westerns, and you think he's merely an ordinary everyman, check out his timed perfection in The Teahouse of the August Moon. With such great talent, it's a wonder Jack Lemmon rose to stardom so quickly. Glenn has all the hesitation, stammering, exasperation, and desire to fix that it takes to be a comic genius. If the first time around, you don't catch all his jokes, don't worry. You were just laughing so hard, you couldn't keep up with the fast pace.
Every time I watch this delightful gem, I laugh myself sick. It does have a long running time, but it certainly goes by quickly. Glenn Ford's character is stationed in Okinawa after WWII, to oversee reconstruction and the wellbeing of the Japanese people. But in his mission to spread democracy, he's completely clueless in his new environment. Marlon Brando plays the scene-stealing Sakini, a Japanese interpreter who winks at and nudges the audience when he wants to make an inside joke. But even with an interpreter, Glenn still finds himself getting into one misunderstanding after another.
While it's seen as "white washing" by today's standards, Marlon Brando didn't intend for his performance to be offensive. In fact, he lived in a nearby Japanese village for four months to absorb the mannerisms, accent, and mentality of the local people. I found his portrayal of the savvy interpreter to be flawless; not only that, but I couldn't find any trace of his usual expressions or gestures. He completely transformed himself.
The story is heartwarming, funny, smart, and bittersweet. From Eddie Albert's obsession with soil and worms to Machiko Kyo's touching tea ceremony, this 1956 comedy is a one-of-a-kind gem with countless delightful moments.
Every time I watch this delightful gem, I laugh myself sick. It does have a long running time, but it certainly goes by quickly. Glenn Ford's character is stationed in Okinawa after WWII, to oversee reconstruction and the wellbeing of the Japanese people. But in his mission to spread democracy, he's completely clueless in his new environment. Marlon Brando plays the scene-stealing Sakini, a Japanese interpreter who winks at and nudges the audience when he wants to make an inside joke. But even with an interpreter, Glenn still finds himself getting into one misunderstanding after another.
While it's seen as "white washing" by today's standards, Marlon Brando didn't intend for his performance to be offensive. In fact, he lived in a nearby Japanese village for four months to absorb the mannerisms, accent, and mentality of the local people. I found his portrayal of the savvy interpreter to be flawless; not only that, but I couldn't find any trace of his usual expressions or gestures. He completely transformed himself.
The story is heartwarming, funny, smart, and bittersweet. From Eddie Albert's obsession with soil and worms to Machiko Kyo's touching tea ceremony, this 1956 comedy is a one-of-a-kind gem with countless delightful moments.