Joe Gower (Judge Reinhold) is a likable librarian who's currently in a bit of a slump with his girlfriend having left him and being passed over once again for promotion. Joe's best friend Officer Abe Washington (Cleavant Derricks) is assigned to a dance program for charity that will be done entirely with police officers, and not wanting to deal with it calls in a favor from Joe to take his place after Joe inadvertently blew a sting operation. Joe takes on the persona of "A. Washington" and meets another cop, Rachel Wareham with whom he falls in love.
Off Beat was one of three comedies Judge Reinhold released in 1986 alongside comedy classic Ruthless People and other comedy Head Office with both Head Office and Off Beat going mostly ignored at the box office. Written by Mark Medoff, better known for more serious minded content like Children of a Lesser God, the movie was marketed as a more zany madcap hijinx comedy in line with films such as Stripes or Police Academy when it was a much more lowkey character based comedy with a romance element. The movie did get solid responses back in the day including from Roger Ebert who declared it one of the year's best comedies, but other reception seemed to have been colder and the film failed to recoup its $10 million budget petering out at $4 million. Off Beat is one of the more obscure films in Reinhold's filmography and has been mostly neglected from further home video releases or releases on digital storefronts and that's a shame because while Off Beat isn't perfect, it's a likable film with solid leads that's quite enjoyable.
Reinhold is undeniably what makes this movie. With his likable good natured simplicity he's really the perfect fit for this lovable underdog and the sequences of him dancing alongside harder edged cops Such as Joe Mantegna who make their disdain for dancing quite clear. Meg Tilly makes a nice counterpart to Reinhold and the two have believable chemistry that helps sell the core romance in the film. The movie also has a nice set of supporting actors including an early turn by John Turtoro as Reninhold's rival Pepper, Penn Jillette has fun playing Reinhold's Travis Bickle esque co-worker Norman who spouts nonsensical tirades about mailing explosives to TV stations for cancelling Family Feud of all things, and even Harvey Keitel makes an appearance as one of a pair of robbers in the climax that are played almost how you'd expect in a serious crime thriller making them a welcome point of comic contrast to the farcical nature of the material. Not every bit works as Mantegna's character feels like he's setup to be more important than he actually ends up being and some of the material surrounding Cleavant Derricks' Abe Washington character doesn't hold much water even when accounting for "comedic logic", but the movie is so likable and good natured I find it easy to recommend.
Off Beat has been unfairly forgotten and the fact that it's not available on digital storefront or current home media is disappointing. I've seen other failed comedy films from around this time that are disgustingly easy to get access to (Hot to Trot and First Family certainly come to mind) but this movie despite not being a comedy classic really should've been given more of a chance. It's not a laugh riot by any stretch, but it's a nice little movie with likable characters and a solid enough execution of a high concept.
Off Beat was one of three comedies Judge Reinhold released in 1986 alongside comedy classic Ruthless People and other comedy Head Office with both Head Office and Off Beat going mostly ignored at the box office. Written by Mark Medoff, better known for more serious minded content like Children of a Lesser God, the movie was marketed as a more zany madcap hijinx comedy in line with films such as Stripes or Police Academy when it was a much more lowkey character based comedy with a romance element. The movie did get solid responses back in the day including from Roger Ebert who declared it one of the year's best comedies, but other reception seemed to have been colder and the film failed to recoup its $10 million budget petering out at $4 million. Off Beat is one of the more obscure films in Reinhold's filmography and has been mostly neglected from further home video releases or releases on digital storefronts and that's a shame because while Off Beat isn't perfect, it's a likable film with solid leads that's quite enjoyable.
Reinhold is undeniably what makes this movie. With his likable good natured simplicity he's really the perfect fit for this lovable underdog and the sequences of him dancing alongside harder edged cops Such as Joe Mantegna who make their disdain for dancing quite clear. Meg Tilly makes a nice counterpart to Reinhold and the two have believable chemistry that helps sell the core romance in the film. The movie also has a nice set of supporting actors including an early turn by John Turtoro as Reninhold's rival Pepper, Penn Jillette has fun playing Reinhold's Travis Bickle esque co-worker Norman who spouts nonsensical tirades about mailing explosives to TV stations for cancelling Family Feud of all things, and even Harvey Keitel makes an appearance as one of a pair of robbers in the climax that are played almost how you'd expect in a serious crime thriller making them a welcome point of comic contrast to the farcical nature of the material. Not every bit works as Mantegna's character feels like he's setup to be more important than he actually ends up being and some of the material surrounding Cleavant Derricks' Abe Washington character doesn't hold much water even when accounting for "comedic logic", but the movie is so likable and good natured I find it easy to recommend.
Off Beat has been unfairly forgotten and the fact that it's not available on digital storefront or current home media is disappointing. I've seen other failed comedy films from around this time that are disgustingly easy to get access to (Hot to Trot and First Family certainly come to mind) but this movie despite not being a comedy classic really should've been given more of a chance. It's not a laugh riot by any stretch, but it's a nice little movie with likable characters and a solid enough execution of a high concept.