I suspect you'll only really like this if you saw it back in the day.
It's just a mess. Partly because the story is 99% from Johnny's point of view, then one of the few significant context switches features Eric telling Veronica he's frustrated because he loves Johnny, as if that's not the most obvious part of the film.
Annoying, but minor.
The Johnny/Eric story is the heart of the film and it's a good one.
But there's so many problems here. The movie can't decide if it wants to be edgy and a somewhat realistic view of the lives of young hustlers in Vegas or if it wants to be kindergarten.
Then there's the completely surreal ending starting with JT handing the two a baggie of money and drugs then shows up a week later demanding they return it like they run a safe deposit box-- they live in a motel.
But it gets far more surreal when bullets fly because JT shoots a can of tomato soup off Johnny's head and Eric shows up two seconds later and thinks Johnny has been shot.
It's hard to fathom how off the rails this goes.
It's just a mess. Partly because the story is 99% from Johnny's point of view, then one of the few significant context switches features Eric telling Veronica he's frustrated because he loves Johnny, as if that's not the most obvious part of the film.
Annoying, but minor.
The Johnny/Eric story is the heart of the film and it's a good one.
But there's so many problems here. The movie can't decide if it wants to be edgy and a somewhat realistic view of the lives of young hustlers in Vegas or if it wants to be kindergarten.
Then there's the completely surreal ending starting with JT handing the two a baggie of money and drugs then shows up a week later demanding they return it like they run a safe deposit box-- they live in a motel.
But it gets far more surreal when bullets fly because JT shoots a can of tomato soup off Johnny's head and Eric shows up two seconds later and thinks Johnny has been shot.
It's hard to fathom how off the rails this goes.