As others have mentioned, this new effort from JU-ON director Takashi Shimizu starts off on a very strong and original footing that reminded me more than a little of the cult classic R100. I do love the way that fantastical elements are brought into play to depict abstract concepts and the psychological background of trauma and the like is absolutely fascinating. Love the creative scenes too, like the Yakuza set-piece. Sadly this loses its way in the second half and becomes smaller scaled and long-winded; half an hour off would have helped that. But the ending is pretty decent and the acting great.
Review of Homunculus
