Benediction (2021)
1/10
A truly missed opportunity
13 August 2022
A few years ago I read the authoritative and excellent biography of Siegfried Sassoon by Jean Moorcroft Wilson. It is quite clear to me having watched this film that the writer and cast have probably never been further than a Wikipedia entry in understanding the man. I get it that Sassoon was a homosexual, indeed Moorcroft Wilson explores this in her biography but it is far from the most defining aspect of his life. I get it, that this film is worship at the altar of LBGTQ+ history but this is at the expense of learning some interesting, almost incredible, facts about Siegfried Sassoon.

For example, what of his life as a 'fox hunting' man? What of the extraordinary coincidence of both Sassoon and Robert Graves (who barely gets a mention) serving together in the Welsh Fusiliers at the Somme and of their important friendship (Sassoon supported Graves financially several times after the war)? Or his equally important friendship with T E Lawrence (a truly remarkable man who is delegated in the film to a bit part of Sassoon's wedding)? Yes, we see some of his relationship with Wilfred Owen but we do not learn that Graves, Owen and Sassoon were all at Craiglockhart at the same time - Graves despatched there to try and persuade his friend Sassoon to drop his opposition to the war.

We do not learn that Sassoon was known as 'Mad Jack' to his contemporaries on the Western Front and his bravura included leading trench raids despite confessing to being terrified at doing so.

We do not even learn the origins of his extraordinary name, or why in the casting his mother doesn't share his last name.

My greatest sadness is that there is a definite need for a truly authoritative biopic (if I can use that word) of Sassoon and this not it. Yes, if you want to wallow in the calumny of how gay men were treated until recently, this is it. Burn with indignation, if you must. Clearly the writer and director had only one thesis in this film and all 2+ hours of it are imbued with it.

But what a waste of a non-gay actor (think about the hypocrisy of the casting) like Jack Lowden, camping it up in order to project the makers opinions rather than the historical fact.

Add to this, that the film moves as slowly as syrup dripping down the side of a can and frankly, you should spend your time and money on any of the good biographies about the man because you will learn very little of the real Siegfried Sassoon by viewing this film.
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