La Vie de Bohéme is actually one of the most interesting films by Finnish director Aki Kaurismäki. Taking the characters and drawing inspiration from the libretto of Puccini's famous opera, La Bohéme, and the novel on which it was based "Scénes de la vie de bohéme" by Henri Murger, but often reminiscent of the lyrics of Charles Aznavour's famous homonymous song, written by Jacques Plante, in which the glamour of Parisian bohemian life turns out to be a sad misery, Kaurismäki builds a visually beautiful, ironically stimulating and essentially timeless work.
What sets this film apart from the Finnish director's work is the fact that, without ever losing the pathetic drama that characterizes it, there is a subtle and intelligent dose of black humor here (as in the song by Aznavour) that allows us to an almost amusing journey through the lives of these miserable failed artists who survive on the streets of a timeless Paris.
Mimi is the muse who inspires them and at the same time redeems their sins, sacrificing her life to the bohemian of those who refuse banality and prefer to live the dream, even if miserable and consumptive.
What sets this film apart from the Finnish director's work is the fact that, without ever losing the pathetic drama that characterizes it, there is a subtle and intelligent dose of black humor here (as in the song by Aznavour) that allows us to an almost amusing journey through the lives of these miserable failed artists who survive on the streets of a timeless Paris.
Mimi is the muse who inspires them and at the same time redeems their sins, sacrificing her life to the bohemian of those who refuse banality and prefer to live the dream, even if miserable and consumptive.