On the New York City Subway, four men armed men lead by Ryder (John Travolta) hijack a train car of 19 passengers from train Pelham 123 (so named because of its departure time and origin station). As the train car is stopped in the subway tunnel it wreaks havoc upon the rest of the subway system. Train Dispatcher Walter Garber (Denzel Washington) makes contact with Ryder who demands $10 million ransom in exchange for the passengers.
The Taking of Pelham 123 is the third adaptation of the novel of the same name by John Godey following the classic Joseph Sargent directed 1974 film and a mostly forgotten 1998 TV movie. The film was Denzel Washington's fourth collaboration with Tony Scott following their work on Crimson Tide, Man on Fire, and Déjà vu and as such was positioned as a blockbuster for the 2009 Summer movie season. Opening in third place behind holdovers of hit films Up and The Hangover, The Taking of Pelham 123 was seen as a "soft" opener for the $100 million project but eventually legged out to $150 million worldwide which while not great was far from terrible. The movie received mixed reviews with critics praising the technical aspects of the film as well as the performances, but also feeling that Tony Scott's frenetic direction didn't really mesh with the material and it was inferior to the 1974 original film. In the end this update of Pelham 123 does try to do something different, but it doesn't do so all that successfully.
Much like the original 1974 film, this version of Pelham 123 also serves as a time capsule of New York City substituting the 70s recession era atmosphere of the original for a New York City that has been redefined in the aftermath of 9/11 and of course the then recent financial crisis of 2007 and 2008. With Scott's direction having a few too many flourishes that his audience will be all too familiar with, sometimes it feels like New York City's identity isn't as well established as it could be and it feels like there's more focus on "how" it's being shot in place of "what's" being shot. In particular I felt as though the boarding sequence in the first act was overly truncated and I felt like the hijackers with the exception of Travolta's Ryder felt greatly diminished as characters with none of them allowed to leave much of an impression. Denzel Washington plays our substitute for Zachary Garber from the original film in Walter Garber who unlike the original transit cop character is a train dispatcher so he's out of his element and there's also an added subplot involving how he got moved from a higher level position down to dispatch. In principal I like the idea of where they take the Garber character but the execution is where I feel it stumbles because they try to make Ryder and Garber parallels of each other in a "we're not so different, you and me" that leads to a very overwrought standoff moment serving as the climax that I just feel doesn't work. This incarnation of the film takes itself much more seriously, and while there are shades of humor such as with James Gandolfini's performance as the mayor of New York or the occasional exchanges among the passengers the movie feels like it has excised a good amount of the original film's humor which was a key appeal of its identity including its stinger ending involving a sneeze.
The Taking of Pelham 123 is perfectly serviceable as a time killer and Travolta and Denzel do solid work but I think Tony Scott's direction isn't all that conducive to what is mostly a chamber piece and it feels like Scott has tried to "energize" his direction to compensate for the contained nature of the story. If you want to see a Tony Scott train movie that works with his style instead of against it I'd recommend 2010's Unstoppable because the story of a runaway train meshed better with Scott's directorial style.
The Taking of Pelham 123 is the third adaptation of the novel of the same name by John Godey following the classic Joseph Sargent directed 1974 film and a mostly forgotten 1998 TV movie. The film was Denzel Washington's fourth collaboration with Tony Scott following their work on Crimson Tide, Man on Fire, and Déjà vu and as such was positioned as a blockbuster for the 2009 Summer movie season. Opening in third place behind holdovers of hit films Up and The Hangover, The Taking of Pelham 123 was seen as a "soft" opener for the $100 million project but eventually legged out to $150 million worldwide which while not great was far from terrible. The movie received mixed reviews with critics praising the technical aspects of the film as well as the performances, but also feeling that Tony Scott's frenetic direction didn't really mesh with the material and it was inferior to the 1974 original film. In the end this update of Pelham 123 does try to do something different, but it doesn't do so all that successfully.
Much like the original 1974 film, this version of Pelham 123 also serves as a time capsule of New York City substituting the 70s recession era atmosphere of the original for a New York City that has been redefined in the aftermath of 9/11 and of course the then recent financial crisis of 2007 and 2008. With Scott's direction having a few too many flourishes that his audience will be all too familiar with, sometimes it feels like New York City's identity isn't as well established as it could be and it feels like there's more focus on "how" it's being shot in place of "what's" being shot. In particular I felt as though the boarding sequence in the first act was overly truncated and I felt like the hijackers with the exception of Travolta's Ryder felt greatly diminished as characters with none of them allowed to leave much of an impression. Denzel Washington plays our substitute for Zachary Garber from the original film in Walter Garber who unlike the original transit cop character is a train dispatcher so he's out of his element and there's also an added subplot involving how he got moved from a higher level position down to dispatch. In principal I like the idea of where they take the Garber character but the execution is where I feel it stumbles because they try to make Ryder and Garber parallels of each other in a "we're not so different, you and me" that leads to a very overwrought standoff moment serving as the climax that I just feel doesn't work. This incarnation of the film takes itself much more seriously, and while there are shades of humor such as with James Gandolfini's performance as the mayor of New York or the occasional exchanges among the passengers the movie feels like it has excised a good amount of the original film's humor which was a key appeal of its identity including its stinger ending involving a sneeze.
The Taking of Pelham 123 is perfectly serviceable as a time killer and Travolta and Denzel do solid work but I think Tony Scott's direction isn't all that conducive to what is mostly a chamber piece and it feels like Scott has tried to "energize" his direction to compensate for the contained nature of the story. If you want to see a Tony Scott train movie that works with his style instead of against it I'd recommend 2010's Unstoppable because the story of a runaway train meshed better with Scott's directorial style.