'It rains on our love" (1946) is an early film by Ingmar Bergman. Bergman was a director who had to learn his trade so the film is worth watching , but it isn't great.
The film is about two vagabonds, a man (David played by Birger Malmsten, a regular actor in Bergman films up till 1950) and a women (Maggi played by Barbro Kollberg), that are treated roughly by society. Of course (representatives of) society do see that differently. In their view the vagabonds fail to adapt to society's norms.
Films about vagabonds always remind me of "the little tramp", the ultimate vagabond, most certainly if a stray dog is involved, as is the case in "It rains on our love". See also "A dog's life" (1918, Charlie Chaplin). Chaplin however was much more competent in finding the right mix between comedy and sentimentality than the young Bergman, and also than the mature Bergman I guess, because Bergman quit making films in this genre after a while.
The film ends with a courtroom scene, and this is one of the most memorable scenes of the film. In the beginning the two vagabonds are on trial, but when their lawyer starts his defence the roles are quickly reversed and it almost seems that society is on trial.
This lawyer (Gosta Cederlund) is a remarkable appearance in "It rains on our love". He starts as a sort of narrator / guradian angel and all of a sudden becomes a character. Most unusual!
The film is about two vagabonds, a man (David played by Birger Malmsten, a regular actor in Bergman films up till 1950) and a women (Maggi played by Barbro Kollberg), that are treated roughly by society. Of course (representatives of) society do see that differently. In their view the vagabonds fail to adapt to society's norms.
Films about vagabonds always remind me of "the little tramp", the ultimate vagabond, most certainly if a stray dog is involved, as is the case in "It rains on our love". See also "A dog's life" (1918, Charlie Chaplin). Chaplin however was much more competent in finding the right mix between comedy and sentimentality than the young Bergman, and also than the mature Bergman I guess, because Bergman quit making films in this genre after a while.
The film ends with a courtroom scene, and this is one of the most memorable scenes of the film. In the beginning the two vagabonds are on trial, but when their lawyer starts his defence the roles are quickly reversed and it almost seems that society is on trial.
This lawyer (Gosta Cederlund) is a remarkable appearance in "It rains on our love". He starts as a sort of narrator / guradian angel and all of a sudden becomes a character. Most unusual!