My review was written in September 1987 after watching the movie on Camp video cassette.
"Evil Spawn", previously titled "Alive by Night" and "Deadly Sting", is a tolerable, poverty row variation on Roger Corman's 1959 Susan Cabot-starrer "The Wasp Woman". Topliner Bobbie Bresee provides enough flesh and ham acting to please camp followers (pic appropriately is released by Camp Video, from Fred Olen Ray's new AIP production banner.
In a script far too overloaded with in-jokes on the world of low-budget filmmaking, Bresee toplines as Lynn Roman, a fading superstar actress who jumps at the chance to look younger via a formula given her by unscrupulous scientist Evelyn Avery (played by Donna Shock, a pseudonym for Dawn Wildsmith). Side effects turn her, werewolf-style, into an insect-like monster.
Though some of the monsters on view are rubbery, pic's gore is impressive and combines with enough nudity to keep the hardcore horror fans alert, however, pic's jokes are unfunny and storyline is a drag. Besides Bresee, a cult figure from "Mausoleum", Wildsmith, from "Surf Nazis Must Die", is an elegant villainess. John Carradine appears in one scene of "generic footage", a lengthy dialog opposite Wildsmith in which both thesps speak entirely in euphemisms, suitable for splicing into any thriller film.
"Evil Spawn", previously titled "Alive by Night" and "Deadly Sting", is a tolerable, poverty row variation on Roger Corman's 1959 Susan Cabot-starrer "The Wasp Woman". Topliner Bobbie Bresee provides enough flesh and ham acting to please camp followers (pic appropriately is released by Camp Video, from Fred Olen Ray's new AIP production banner.
In a script far too overloaded with in-jokes on the world of low-budget filmmaking, Bresee toplines as Lynn Roman, a fading superstar actress who jumps at the chance to look younger via a formula given her by unscrupulous scientist Evelyn Avery (played by Donna Shock, a pseudonym for Dawn Wildsmith). Side effects turn her, werewolf-style, into an insect-like monster.
Though some of the monsters on view are rubbery, pic's gore is impressive and combines with enough nudity to keep the hardcore horror fans alert, however, pic's jokes are unfunny and storyline is a drag. Besides Bresee, a cult figure from "Mausoleum", Wildsmith, from "Surf Nazis Must Die", is an elegant villainess. John Carradine appears in one scene of "generic footage", a lengthy dialog opposite Wildsmith in which both thesps speak entirely in euphemisms, suitable for splicing into any thriller film.