My review was written in May 1987 after watching the movie on HBO/Cannon video cassette.
"Let's Get Harry" is a well-made, but utterly routine action picture released by TriStar last October ahead of its current home video status. Pic is worth catching for two excellent (as usual) supporting performances by Robert Duvall and Gary Busey. Director Stuart Rosenberg took his name off the credits, reportedly due to a contretemps during post-production (pic was lensed in Mexico and Illinois in 1985).
Project originally was planned as a film by Samuel Fuller, writing and directing, in 1981; he is credited with co-writing the story. It's the trite concept (almost identical to another current release, Vestron''s "Nightforce") pf a grpi[ pf upimg gius. ;ed bu <ocjae; Scjpeff;omg. Deciding to take matters into their own hands to go to Colombia to rescue Schoeffling's brother Harry (Mark Harmon). Kidnapped along with the U. S. ambassador (Bruce Gray) by terrorists. These "terrorists" are actually drug dealers, holding the twosome hostage until their fellow dealers are released from prison.
Picture follows rigidly the cliches of this mini-genre: the old hand mercenary (Robert Duvall) who takes the youngsters under his wing; the hands-are-tied government official ("we don't negotiate with terrorists under any circumstances" is the policy line) and stereotyped bad guys. There's even a totally illogical female role written in, played by Elpidia Carrillo, who is cast in virtually every south-of-the-border Hollywood movie.
Fortunately, film is redeemed somewhat by Duvall, with shaved head and authoritative theping, as a gung ho medal-of-honor winner shaded differently than his similar roles in "Apocalypse Now" and "The Great Santini". Busey is also delightful as a smooth-talking car dealer who agrees to bankroll the mission if he can come along for a "hunting trip". Unfortunately both Duvall and Busey eventually are written out of the scenario, and the film dies without them around.
Lead roles are colorless, with Schoeffling doing an okay job but singing star Glenn Frey making little impression as one of his pals. Rugged he-man Rick Rossovich is cast against type as the wimp of the group.
"Let's Get Harry" is a well-made, but utterly routine action picture released by TriStar last October ahead of its current home video status. Pic is worth catching for two excellent (as usual) supporting performances by Robert Duvall and Gary Busey. Director Stuart Rosenberg took his name off the credits, reportedly due to a contretemps during post-production (pic was lensed in Mexico and Illinois in 1985).
Project originally was planned as a film by Samuel Fuller, writing and directing, in 1981; he is credited with co-writing the story. It's the trite concept (almost identical to another current release, Vestron''s "Nightforce") pf a grpi[ pf upimg gius. ;ed bu <ocjae; Scjpeff;omg. Deciding to take matters into their own hands to go to Colombia to rescue Schoeffling's brother Harry (Mark Harmon). Kidnapped along with the U. S. ambassador (Bruce Gray) by terrorists. These "terrorists" are actually drug dealers, holding the twosome hostage until their fellow dealers are released from prison.
Picture follows rigidly the cliches of this mini-genre: the old hand mercenary (Robert Duvall) who takes the youngsters under his wing; the hands-are-tied government official ("we don't negotiate with terrorists under any circumstances" is the policy line) and stereotyped bad guys. There's even a totally illogical female role written in, played by Elpidia Carrillo, who is cast in virtually every south-of-the-border Hollywood movie.
Fortunately, film is redeemed somewhat by Duvall, with shaved head and authoritative theping, as a gung ho medal-of-honor winner shaded differently than his similar roles in "Apocalypse Now" and "The Great Santini". Busey is also delightful as a smooth-talking car dealer who agrees to bankroll the mission if he can come along for a "hunting trip". Unfortunately both Duvall and Busey eventually are written out of the scenario, and the film dies without them around.
Lead roles are colorless, with Schoeffling doing an okay job but singing star Glenn Frey making little impression as one of his pals. Rugged he-man Rick Rossovich is cast against type as the wimp of the group.