Unfortunately, I had to make do with a rather poor copy of THE CANARY MURDER CASE, full of scratches and tiny breaks - not to mention the crackling recording, which I had to take as sportingly as I could, knowing that by 1929 the movie industry was only in its earliest forays into sound.
Those drawbacks aside, I found the joint direction by Tuttle and St Clair very competent and even imaginative, with most of the shooting done in dark interiors. Of course, to achieve that quality level the directors had to rely on a strong script - and that they had, courtesy of SS Van Dine and adaptation by the suggestively named Albert Le Vino (thankfully, there is far less drinking here than poor William Powell would have to endure as Detective Nick Charles 5 years later).
Ultimately, though, what I take away from this picture are the following pluses: Louise Brooks' incredibly timeless beauty (I have been in love with her since watching the silent PANDORA'S BOX); William Powell's nonchalant but classy Philo Vance, helped by peerless diction that must have been the envy of just about all actors in Hollywood in 1929; the clever dialogue that draws into a whodunnit that rates far more complex than I expected from a 1929 vehicle.
Definitely a must for fans of Powell, Brooks, Arthur, and whodunnit. 8/10.
Those drawbacks aside, I found the joint direction by Tuttle and St Clair very competent and even imaginative, with most of the shooting done in dark interiors. Of course, to achieve that quality level the directors had to rely on a strong script - and that they had, courtesy of SS Van Dine and adaptation by the suggestively named Albert Le Vino (thankfully, there is far less drinking here than poor William Powell would have to endure as Detective Nick Charles 5 years later).
Ultimately, though, what I take away from this picture are the following pluses: Louise Brooks' incredibly timeless beauty (I have been in love with her since watching the silent PANDORA'S BOX); William Powell's nonchalant but classy Philo Vance, helped by peerless diction that must have been the envy of just about all actors in Hollywood in 1929; the clever dialogue that draws into a whodunnit that rates far more complex than I expected from a 1929 vehicle.
Definitely a must for fans of Powell, Brooks, Arthur, and whodunnit. 8/10.