Watchable for Michelle Yeoh, Maggie Cheung, and Anita Mui, but a big step down from the first film, The Heroic Trio. The post-apocalyptic plot is a muddled mess, the action too often centers around big shootouts instead of martial arts, and the three leads aren't together enough on-screen, an early scene in the tub and a few battle moments notwithstanding. There is also a dark, dingy aspect to the cheap sets that makes it visually unappealing, which is pretty tough to do given the cast.
The story progression for Mui's character is less than satisfying, as it uses the device of her being separated from her screaming child several times, we get syrupy scenes after disagreements with her husband the mayor, and then she ends up in prison for too long. Meanwhile, Cheung's character goes off searching for water in the dystopian hellscape, but it's with a rival (Ching Wan Lau) and (inexplicably) the child, leading to further overwrought moments. The little girl was adorable and all, but her character was a liability, all the way up through the final battle.
As in the first film, there are some bonkers bits, like the gunning down of some nuns who've administered medical aid, or the squeezing of a rat to drink its blood in prison. Yeoh's character also uses a whistle to control a man who's turned into half-animal, presumably from the radiation, though his fate set to swelling music was overly melodramatic. It wasn't that I wanted more of these over-the-top moments, but at least when they were on the screen the film had a little edge.
Still, despite all my complaints, the three leads have such screen presence that the film held my interest. I just wish it had been a better vehicle for them.
The story progression for Mui's character is less than satisfying, as it uses the device of her being separated from her screaming child several times, we get syrupy scenes after disagreements with her husband the mayor, and then she ends up in prison for too long. Meanwhile, Cheung's character goes off searching for water in the dystopian hellscape, but it's with a rival (Ching Wan Lau) and (inexplicably) the child, leading to further overwrought moments. The little girl was adorable and all, but her character was a liability, all the way up through the final battle.
As in the first film, there are some bonkers bits, like the gunning down of some nuns who've administered medical aid, or the squeezing of a rat to drink its blood in prison. Yeoh's character also uses a whistle to control a man who's turned into half-animal, presumably from the radiation, though his fate set to swelling music was overly melodramatic. It wasn't that I wanted more of these over-the-top moments, but at least when they were on the screen the film had a little edge.
Still, despite all my complaints, the three leads have such screen presence that the film held my interest. I just wish it had been a better vehicle for them.