Oh dear. I was really looking forward to this, and managed to get a ticket for a pre-release showing. I left disappointed.
One fact that too many film-makers have failed to grasp is that CGI alone does not make a film. Effects can make a good film better, but they can't make a mediocre film good. Marvel, I'm looking at you.
It's not enough to string a few action scenes together and finish with some really big explosions. You have to have a story - preferably one that hangs together coherently. This is what's missing from this film, whose plot-holes are more pronounced than the holes where the AI characters' ears would be. Just one example - our hero is on the run in an unspecified Asian county, where it's established that he doesn't speak the language. He breaks down. A van stops, and he's asked if he needs help. Asked in perfect English. That's bad enough - but then for no explored reason, our good Samaritan progresses from giving a stranger a lift to helping him through a police road-block, risking the lives of his five children in the process.
Why are there gardens on Nomad? Why, if it's the last word in military technology, is it as easy to blow up as the Death Star or a Bond Villain's lair?
The child-McGuffin is portrayed by an excellent young performer, but makes no logical sense. The nuclear blast in Los Angeles (seen in the trailer, so it's not a spoiler) is cited as the reason for the war against AI. There's one throwaway line about this late in the film - but it's just that: a throw-away line. Following it up would've led to a much more interesting film.
I've heard it suggested that this should be seen as a metaphor for America's involvement in Vietnam, If so, it's a tired re-hash and forty years too late. Also, that would mean regarding it as an intelligent film, which it absolutely isn't
Just one more big-budget wasted opportunity.
One fact that too many film-makers have failed to grasp is that CGI alone does not make a film. Effects can make a good film better, but they can't make a mediocre film good. Marvel, I'm looking at you.
It's not enough to string a few action scenes together and finish with some really big explosions. You have to have a story - preferably one that hangs together coherently. This is what's missing from this film, whose plot-holes are more pronounced than the holes where the AI characters' ears would be. Just one example - our hero is on the run in an unspecified Asian county, where it's established that he doesn't speak the language. He breaks down. A van stops, and he's asked if he needs help. Asked in perfect English. That's bad enough - but then for no explored reason, our good Samaritan progresses from giving a stranger a lift to helping him through a police road-block, risking the lives of his five children in the process.
Why are there gardens on Nomad? Why, if it's the last word in military technology, is it as easy to blow up as the Death Star or a Bond Villain's lair?
The child-McGuffin is portrayed by an excellent young performer, but makes no logical sense. The nuclear blast in Los Angeles (seen in the trailer, so it's not a spoiler) is cited as the reason for the war against AI. There's one throwaway line about this late in the film - but it's just that: a throw-away line. Following it up would've led to a much more interesting film.
I've heard it suggested that this should be seen as a metaphor for America's involvement in Vietnam, If so, it's a tired re-hash and forty years too late. Also, that would mean regarding it as an intelligent film, which it absolutely isn't
Just one more big-budget wasted opportunity.