Bruno Dumont's film is best appreciated if the viewer has viewed Bruno Nuytten's 1988 film "Camille Claudel" which ends with Camille being institutionalized by her brother Paul and her mother. That act can be initially condoned as Camille needed treatment at that time. Dumont's film is based surprisingly on the letters of Paul Claudel.
In Dumont's film too, Paul does not heed the doctor's view that Camille is a docile and almost normal and could be discharged. For those who have seen Nuytten's film, there is sufficient evidence that brother and sister had been very close to each other and Paul had tried to make his sister's work famous. All these critical facts are never stated in Dumont's film. The religious fervour of Camille in Dumont's film is totally absent in Nuytten's film. The long religious soliloquys of Paul, fits in with Dumont's interest in religion. For me, Dumont's attempts at describing Camille in the asylum is merely projecting Paul's attempt at absolving his decision not to help release his sister from the asylum.
Binoche is always good in any film but this performance is not her best--which I am convinced was the one in "Certified Copy."
In Dumont's film too, Paul does not heed the doctor's view that Camille is a docile and almost normal and could be discharged. For those who have seen Nuytten's film, there is sufficient evidence that brother and sister had been very close to each other and Paul had tried to make his sister's work famous. All these critical facts are never stated in Dumont's film. The religious fervour of Camille in Dumont's film is totally absent in Nuytten's film. The long religious soliloquys of Paul, fits in with Dumont's interest in religion. For me, Dumont's attempts at describing Camille in the asylum is merely projecting Paul's attempt at absolving his decision not to help release his sister from the asylum.
Binoche is always good in any film but this performance is not her best--which I am convinced was the one in "Certified Copy."