The series started with a sharp style that promised good things. Excellent photography, good casting, a neat feel to the storyline, plus a good dose of mystery to interest the viewer. Yes, some of the features have been seen in a lot of other sci-fi dramas/films, but that didn't lessen the programme's strength. And until about episode 8 this panned out well.
Then it started . . . What I now call the delaying effect! We see it too often these days in TV dramas. The storyline began to meander all over the place; extra characters were suddenly introduced who then misleadingly became major players; key characters were lost through death; plus extra backstories of the characters were suddenly introduced and then played out as a main feature in the drama . . . In other words it looked like a hundred other storylines were being introduced just to keep the viewer hooked.
There was no longer any purpose to the story, or clarity in its vision. The plot became more & more convoluted. Some of the characters - who had been at least basically believable - started to do stupid things that didn't fit their nature, or their job level/IQ. And something the US studios love to subsume viewers with in their dramas: conspiracy of the worst type . . . The endless type!
Steven Spielberg notwithstanding, there was no way we could carry on watching this production.
We watched the first 10 episodes of series 1, and halfway through episode 11 . . . And then watched no further.
I had intended, after episode 10, to watch to the end of the first series, and THEN decide if I wanted to carry on viewing into series 2. But I couldn't stand watching it to beyond halfway into episode 11, let alone to the full 13 episodes of series 1!
I think this is a first for me, not to watch even a full episode before I quit watching a TV programme! But at episode 11 I could see that the growing fears I had sensed earlier - of rambling, misleading story threads - were coming true. And that was it. We switched off mid-episode. With (sad) relief. What a lost opportunity. For what could have been a good - and succinct - drama.
Then it started . . . What I now call the delaying effect! We see it too often these days in TV dramas. The storyline began to meander all over the place; extra characters were suddenly introduced who then misleadingly became major players; key characters were lost through death; plus extra backstories of the characters were suddenly introduced and then played out as a main feature in the drama . . . In other words it looked like a hundred other storylines were being introduced just to keep the viewer hooked.
There was no longer any purpose to the story, or clarity in its vision. The plot became more & more convoluted. Some of the characters - who had been at least basically believable - started to do stupid things that didn't fit their nature, or their job level/IQ. And something the US studios love to subsume viewers with in their dramas: conspiracy of the worst type . . . The endless type!
Steven Spielberg notwithstanding, there was no way we could carry on watching this production.
We watched the first 10 episodes of series 1, and halfway through episode 11 . . . And then watched no further.
I had intended, after episode 10, to watch to the end of the first series, and THEN decide if I wanted to carry on viewing into series 2. But I couldn't stand watching it to beyond halfway into episode 11, let alone to the full 13 episodes of series 1!
I think this is a first for me, not to watch even a full episode before I quit watching a TV programme! But at episode 11 I could see that the growing fears I had sensed earlier - of rambling, misleading story threads - were coming true. And that was it. We switched off mid-episode. With (sad) relief. What a lost opportunity. For what could have been a good - and succinct - drama.