Three of Us is simple, straightforward, and realistic storytelling done right. The plot isn't pathbreaking given there are recent examples worth referring to, but it's the film's picturesque Konkan setting, soothing soundscape, and lovely performances that make it memorable.
It helps that the director in Avinash Arun takes precedence over the cinematographer, as he's not only able to treat us to beautiful frames, but also able to tell a moving story about someone looking to reconnect with their past, with the likelihood of forgetting it all again. Shefali Shah makes even the gentlest of smiles and glances mean something more in a performance that warrants every bit of attention it gets. She's already on a fantastic run lately, and I'm sure she'll keep delivering solid work.
Jaideep Ahlawat backs her up in a wonderfully written supporting role (with a spectrum of emotions), and he carries the poetic demeanor with consummate ease. Kudos to the man for having taken on roles that bring out the versatility in him - An Action Hero, this, and Jaane Jaan immediately come to mind. All these characters are demanding in different ways, and they're all safe in Jaideep's hands.
Swanand Kirkire is also endearing and sweetly relatable in the role of Shefali Shah's husband, and during their low-key exchanges, there's an irresistible next-door charm to them. While the use of music/score is commendable in certain portions, what I truly want to appreciate is the use of ambient sound. There's a scene with Shah's character sitting at a park in Mumbai, the city sounds in that particular scene evoke the feel of tidal waves, and it acts as a precursor for when the couple actually visit the Konkan coast.
Some scenes feel slightly rough around the edges, especially one where the husband-wife conversation displays signs of heat (but is defused shortly after) in the pre-final act, along with the one at the hut with an elderly woman. On the other hand, there are some absolutely brilliant stretches of writing and acting. The ferris wheel sequence is symbolic of the circle of life. It's true; the older we get, the yearning for home, and the opportunities to reconnect with childhood friends & memories keeps getting stronger. Also, I like how dementia isn't the film's centerpiece, although its undercurrent is felt throughout.
It helps that the director in Avinash Arun takes precedence over the cinematographer, as he's not only able to treat us to beautiful frames, but also able to tell a moving story about someone looking to reconnect with their past, with the likelihood of forgetting it all again. Shefali Shah makes even the gentlest of smiles and glances mean something more in a performance that warrants every bit of attention it gets. She's already on a fantastic run lately, and I'm sure she'll keep delivering solid work.
Jaideep Ahlawat backs her up in a wonderfully written supporting role (with a spectrum of emotions), and he carries the poetic demeanor with consummate ease. Kudos to the man for having taken on roles that bring out the versatility in him - An Action Hero, this, and Jaane Jaan immediately come to mind. All these characters are demanding in different ways, and they're all safe in Jaideep's hands.
Swanand Kirkire is also endearing and sweetly relatable in the role of Shefali Shah's husband, and during their low-key exchanges, there's an irresistible next-door charm to them. While the use of music/score is commendable in certain portions, what I truly want to appreciate is the use of ambient sound. There's a scene with Shah's character sitting at a park in Mumbai, the city sounds in that particular scene evoke the feel of tidal waves, and it acts as a precursor for when the couple actually visit the Konkan coast.
Some scenes feel slightly rough around the edges, especially one where the husband-wife conversation displays signs of heat (but is defused shortly after) in the pre-final act, along with the one at the hut with an elderly woman. On the other hand, there are some absolutely brilliant stretches of writing and acting. The ferris wheel sequence is symbolic of the circle of life. It's true; the older we get, the yearning for home, and the opportunities to reconnect with childhood friends & memories keeps getting stronger. Also, I like how dementia isn't the film's centerpiece, although its undercurrent is felt throughout.