Simple content, excellent audio and visual.
It's just that compared to the master's other works, the connotations conveyed in Duel of the Silent Night are a little too flat and too direct, and even in many moments, the use of music to emphasize the characters is too frequent.
Perhaps there is a deeper purpose to the directness and paleness of the approach...to give this type of educational film a certain universality, except that it seems to be interspersed with Kurosawa-esque personal monologues and a bit of a conflict, so why not just do it more thoroughly? Of course, I still like that part, after all, this kind of direct pale movie is really not as good as going to see political propaganda really, but instead of Kurosawa's authorship of the expression of the only bright spot.
Women have only one identity in his work, and that is to love. The entanglement around a syphilis patient is actually still a bit comical.
It's just that compared to the master's other works, the connotations conveyed in Duel of the Silent Night are a little too flat and too direct, and even in many moments, the use of music to emphasize the characters is too frequent.
Perhaps there is a deeper purpose to the directness and paleness of the approach...to give this type of educational film a certain universality, except that it seems to be interspersed with Kurosawa-esque personal monologues and a bit of a conflict, so why not just do it more thoroughly? Of course, I still like that part, after all, this kind of direct pale movie is really not as good as going to see political propaganda really, but instead of Kurosawa's authorship of the expression of the only bright spot.
Women have only one identity in his work, and that is to love. The entanglement around a syphilis patient is actually still a bit comical.