Ulrich pushes hard to establish guilt for Mikkel's disappearance, as Jonas faces a paradox.
The plot slow burns, but gives just enough details for it to remain compelling. With each reveal you want to know more and this for me is effective storytelling.
From a character perspective, there are lots of interesting moments. Jonas situation is a classic paradox of time travel stories that makes you sympathise. It also makes you more curious about the mysterious peripheral characters who appear to be pulling strings.
The irony of Ulrich being fixated on the guilt of one individual works well with the scenes of Egon set in 1986. Although it has reached the point where the suspicious behaviour of Helge requires full explanation.
I love the visual storytelling as always, with the various clues provided being revealed well. Generally the cinematography and art design is excellent.
The plot slow burns, but gives just enough details for it to remain compelling. With each reveal you want to know more and this for me is effective storytelling.
From a character perspective, there are lots of interesting moments. Jonas situation is a classic paradox of time travel stories that makes you sympathise. It also makes you more curious about the mysterious peripheral characters who appear to be pulling strings.
The irony of Ulrich being fixated on the guilt of one individual works well with the scenes of Egon set in 1986. Although it has reached the point where the suspicious behaviour of Helge requires full explanation.
I love the visual storytelling as always, with the various clues provided being revealed well. Generally the cinematography and art design is excellent.