Very good film. While some persons are worried or scandalized for the implied sex relations between a man and one android with the features of a little girl in the first part of the movie, what made the stronger impact on me was the unethical ability of human beings to destroy real emotion through the dehumanization of technology and, if I give human value to the android, alas! ...what a terrible "fate" the little robot in this movie has.
On the other hand, we are talking about a construct, which makes it more absurd to talk about any sexual conduct we disapprove. Here we are dealing with a human being and a robot, so I think we should find new words to define the simulacrum of the human something that they do together, which weakens moralistic derision when one realizes that one of the components is a robot.
The first story was annoying to me, because of the character of the father who has not processed that her daughter disappeared ten years ago, but the second part comes to life with the appearance of an old lady who longs for her brother who died 60 years ago. In the end, the film balances its two stories by complementing one with the other. Good script, direction and acting by all.
P. S. Elli reminded me of Edith Scob in «Les yeux sans visage».
On the other hand, we are talking about a construct, which makes it more absurd to talk about any sexual conduct we disapprove. Here we are dealing with a human being and a robot, so I think we should find new words to define the simulacrum of the human something that they do together, which weakens moralistic derision when one realizes that one of the components is a robot.
The first story was annoying to me, because of the character of the father who has not processed that her daughter disappeared ten years ago, but the second part comes to life with the appearance of an old lady who longs for her brother who died 60 years ago. In the end, the film balances its two stories by complementing one with the other. Good script, direction and acting by all.
P. S. Elli reminded me of Edith Scob in «Les yeux sans visage».